Saturday, March 03, 2012

Israel Starr - new bizznizz



From Desta Israel Buchanan (son of Mighty Asterix) and co. Fun tune, give it a spin. Free DL too.

Riddim produced by FIZZLE @ SOUL-FORCE, Germany, recorded and mixed HEART OFFISHAL @ NEWTOWN SOUND, Aotearoa.

RELATED POST: Israel Starr, Foundation

Ring The Alarm playlist, BaseFM, March 3

Masters at work - Nautilus (MAWtilus)
Johnny Hammond - Higher ground
Candido - Candid's funk
Chaka Khan  - I feel for you
Q-Tip - Breathe and stop - Adi Dick remix
Superspirit - We belong to the cosmos - Jugoe remix
Hortense Ellis - Woman of the ghetto
Lee Scratch Perry - Like the way you should - Mala Digital Mystikz remix
Horace Andy - Aint no sunshine
Tommy McCook - KT88
Hallelujah Picassos - Peanut butter
Shogun orchestra - Jacmel
Modern sound corporation - Safari - Greg Wilson edit
Harlem river drive - Idle hands
Mo kolours - Banana wine
Graham central station - It's alright
Chakachas - Jungle fever - Greg Wilson edit
Jose Feliciano - She's a woman
Donald Fagen - Green flower street
Blackbyrds - The runaway
Rose Royce - Sunrise/Richard Pryor - monologue
Freez - IOU

Friday, March 02, 2012

Kim Dotcom speaks

TV3's Campbell Live played a half hour interview with Kim Dotcom last night, following an earlier interview published yesterday in the NZ Herald.  Read the full transcript of the TV3 interview here. It makes for fascinating reading.

JC [John Campbell]: the FBI indictment against you alleges, and I quote, “Copyright infringement on a massive scale with estimated harm to copyright holders well in excess of 500 million US dollars”.

KD: Well that’s complete nonsense. If you read the indictment and if you hear what the Prosecution has said in court, it’s at least $500 million of damage were just music files ... just within a two-week time period. So they are actually talking about $13 billion US damage within a year just for music downloads. The entire US music industry is less than $20 billion. So how can one website be, you know, responsible for this amount of damage, it’s completely mind-boggling and unrealistic...."

Kim Dotcom says that "there are a hundred other companies out there that offer the same service like us. Why has not something happened to them?"

He then names some: "Mediafire, Rapidshare, Fileserve, Filesonic. Microsoft has their own service called Skydrive. Google is launching a new service called Drive. Everyone is in this cloud arena, in the same business, has the same problems that we had battling piracy. But we are not responsible for the problem and this is, I think, what everyone needs to understand."

NBR reports that Mr Dotcom's defence revolves around claiming "his company, Megaupload, had too great a volume of traffic to police. It made a best-effort to monitor content, and was not liable for allegedly pirated content....

"Dotcom said last night that 800 files a second were transferred via Megaupload.com... Users were asked to check a box agreeing to terms of service prohibiting copyright infringement. No music or movie company ever attempted to sue Megaupload, Dotcom said."

The wider implications for cloud storage that Dotcom talks about above could affect music services like Apple's iCloud. Or any service you use to store data. It's a fascinating case.

And then there's the aspect of watching the NZ Government bending over backwards to accommodate the US.

NZ is currently involved in secret negotiations around the Trans Pacific Partnership (TPP) which, from the leaked documents that have emerged, could result in NZ being forced to adopt US intellectual property law amongst others.

"InternetNZ said a proposed chapter in the [TPP] agreement drafted by the US risked "crippling the internet" by preventing internet providers from caching copyright material on their servers without the agreement of copyright owners and would ban the parallel importing of copyright works [ie DVDs], extend the length of copyright and force internet providers to terminate the accounts of customers who repeatedly infringed copyright."  Source.

How TPP affects NZ artists and what the US wants our police to do next

RELATED: Prosecutors refuse to release Megaupload data, Crown claims that cloning seized hard drives would cost $200,000.
From SocialMediaNZ: Kim Dotcom’s master class in public relations "Whether Kim Dotcom is guilty or innocent remains to be seen but his performance was a masterful exercise in public relations".

PREVIOUS POSTS: Mega what? Interview with Kim Dotcom, Youtube takedown of Megaupload song.
Dotcom dotgone? Kim Dotcom arrested.

Witness the phatness


I got the opportunity to check out Roots Manuva playing live at the Powerstation last night (thanks, Gavin!). He bought a 4 piece band with him, along with fellow MC Ricky Ranking. There was enough bass coming off the stage to rearrange your organs, it was phat. He played for an hour and a half and left the crowd well satisfied.

Roots Manuva kept his interaction with the crowd to a bare minimum, saying "Auckland city!" for the most part, but he did talk to the crowd at length at least once. After dropping a monstrous version of Witness (1 hope), he told the crowd "I've been coming here for ten years now, and you've shown me nothing but love. But Auckland, I have to have a moan. Cos I hear you had an election recently, and some of you didn't vote! Now, how can you sing One hope one quest when you didnt even vote? Sort that out. That's my moan for the night..."

His band consisted of a DJ, female keyboard player also on BVs, a rock solid drummer, and a guitarist who looked like he used to play in a White Zombie/Korn covers band - that dude was hugely entertaining. He thrashed and posed and riffed like his life depended on it. And the funny part was he was so low in the sound mix that you couldn't hear a damn thing he was playing. Which was no great loss. I heard his effects units included a Metalzone pedal. Guitarists in the house say UGH.

David Carroll from Volume Magazine interviewed Roots Manuva recently, read it here. Excerpt... "When asked if his approach to making music has changed since he first began, his answer is typically disarmingly honest - and tongue-in-cheek: "Oh yeah, I think it's just growing up as a professional, tax-paying musician, I kind of learned how to condense and compartmentalise the kind of emotional tantrums into the context of song."  He's a funny guy.

Adi Dick

When I was down in Wellington recently DJing at a very cool conference called Webstock, I met a talented musician by the name of Adi Dick. He sent me thru one of his latest tunes, a tasty rework of a Q-Tip jam. Check it, and his Electric Wire Hustle dub... both up for download too...




Keith Moon Introducing Stevie Wonder....

Hat tip to Voices of East Anglia... rare concert footage of Stevie Wonder, introduced by Keiht Moon in a ringmaster's hat...

"The 1972 Coliseum concert took place in California. And along with Stevie and Keith, other artists who performed included The Four Seasons, The Bee Gees and Sha-na-na. His set clocks in at just over twenty minutes, so take a seat and enjoy an interview, a Temptations cover, Some classic Stevie tunes, the underrated "Love having you around" and some mean harmonica and vocoder action from the genius that is Stevie Wonder..."





Thursday, March 01, 2012

Askew One - Smoke Signals art show



Smoke Signals - 16-22 March, The Australis Room, Australis House, 36-38 Customs St
Weekdays 10-6, weekends 10-4.

Slice of the pie

Not actual pie shop. Just a cool pie shop. Hmm, pie....

"In March, the UK’s first pie-selling record shop – imaginatively titled ‘Pie And Vinyl’ – will open for business [via Stool Pigeon]. You can stay up to date on all things Pie And Vinyl via their Twitter feed, or alternatively watch the store being constructed on their Facebook page. " Hat tip to Alan P, via Fact Mag.

Payola killing Jamaican music

Spotted via Dave Rodigan on Twitter... "The Jamaica Reggae Industry Association (JaRIA) says the practice of payola in the electronic and print media is effectively crippling the entertainment industry and stifling the creativity of the country's talented artistes.

Speaking at the Observer's weekly Monday Exchange yesterday, members of JaRIA complained that the practice has become so rampant in the indigenous music industry that some artistes actually include payola in their promotional budgets.

JaRIA Vice Chairman Charles Campbell said he is aware that a popular dancehall entertainer has budgeted wads of cash to be doled out to disc jockeys who are in his pocket.

"A popular deejay budgets $100,000 every month to pay out to disc jockeys. When he voices a song, he e-mails the song to his people and it is played on radio. It does not go through the system," he said....

Read the full story at The Jamiaca Observer.

Rammellzee uncovered

Photo: NYTimes

Via Grandgood/NYT....  "Soon after the Sept. 11 attacks the building on Laight Street that housed the Battle Station was sold to make way for luxury apartments, and Rammellzee and his wife, Carmela Zagari, were pushed out, relocated to a conventional, smaller place in Battery Park City. Almost 20 years’ worth of his obsessive artwork, enough to fill a large truck, went into a storage locker, where it remained unseen for years, in danger of being forgotten for good.

But pieces of it are now starting to re-emerge, in a way that Rammellzee most likely would have approved of: in fighter formation. A bunkerlike, black-lighted re-creation of the Battle Station was one of the most talked-about pieces in “Art in the Streets,” a sprawling graffiti survey last year at the Museum of Contemporary Art, Los Angeles, organized by the museum’s director, Jeffrey Deitch, who as a New York dealer had courted Rammellzee for years."

Read the full story at New York Times. Rammellzee  died aged 49, two years ago.

Do you love peanut butter?



Off the newly remastered collection of covers from Hallelujah Picassos, out on Monday. More audio previews on Bandcamp.

Wednesday, February 29, 2012

Taxi Fare

Mr Vegas ft Lexxus - Taxi Fare (Dub Boy's digital refix) - free download. Hat tip to Stinky Jim for the linkage.

RBMA drops 'Various Assets' comp

Red Bull Music Academy releases 'Various Assets' compilation, tunes recorded at the most recent session in Madrid. "... features collaborations and contributions from an array of up-and-coming producers like Ghosts on Tape, Brenmar, xxxy, and many others, not to mention appearances from more veteran acts like Addison Groove and Mark Pritchard. Stream or download the 35-song compilation below."  Free download.

Greg Wilson talks


Last night Conch Records hosted a session with legendary UK DJ Greg Wilson, talking about his DJ career, his approach to edits, and showing us how he worked a Revox B77 reel to reel. It was a fascinating talk, and he has some amazing stories.

Like how he taught Fatboy Slim to scratch. That story was funny as hell. Dated back to 1983, when Greg was doing a tour round the UK called the Hacienda revue, and it stopped off in Brighton. There was this enthusiastic kid called Quentin (aka Fatboy Slim/Norman Cook) who was hanging round the DJ decks asking questions, so Greg showed him the basics of scratching.

Fast forward a few years to Beats International hitting big with Dub be good to me, and Greg is reading an interview with Norman Cook of Beats  International, and he cites his influences as Grandmaster Flash and Greg Wilson. Greg goes, what the heck's that about? He asks an old mate of his (Kermit from Black Grape/Ruthless Rap Assassins), and they remind him of that moment back in 83. Greg tells it way better than I do.




When  Greg got onto the internet, about 15 years ago, he noticed all the various dance scenes being documented, but black culture wasn't being included. He talked about that black culture in the UK going back to the 50s and 60s, even earlier with US GIs coming over to England, bringing jukeboxes with them. The dance scene there didn't start with a bunch of DJs coming back from Ibiza and suddenly inventing dance culture.

He mentioned that some folk say the northern soul scene led into rave, but he noted that there was a 7 year gap between the Wigan Casino closing and rave hitting in 88.

Discussing his edits, he said he's rubbish, technically, but he's got a mate who is really good at all that technical stuff. He put Greg onto a program that he said was prefect for Greg, called Acid, which was ideal for making loops, the basis of a good edit.

He talked about black music from the UK not being taken seriously in its country of origin, as it wasn't American. He namechecked a handful of UK acts, like Cymande and Freez.


He talked about the New York hiphop scene. I asked him about Afrika Bambaata, who used to go downtown to the record pools to get records that no one else in the Bronx had, and wanted to know how Greg went about getting records that were exclusive.

He answered by going into a story about the northern soul scene, which thrived on DJs scoring exclusives that no one else had, using an example of a record DJ Ian Levine found. The rumour went round that he had discovered this amazing, rare record called Theres a ghost in my house and was going to play it that weekend. And he was right, says Greg, it was an amazing record, and later went on to be a chart hit in the UK.

But on the way home from the casino at the end of the night, some folk had stopped off at a service station (gas station) to get a feed, and they were flicking thru the record stand in there. EMI put out these cheap compilations for a pound (records were 3  pounds then) called Music for pleasure, and on the track listing was Theres a ghost in my house.

He wanted to highlight that kind of exclusivity that riddled the northern soul scene, as he said he was not interested in it at all. He wanted to popularise the tunes he found, share his discoveries with everyone.

Don't quite know why this guy on the left was more interested in texting than paying attention to the legendary UK DJ right in front of him, but I do know that 15 minutes after I took this photo, he dropped his cellphone on Conch's wooden floor, and it landed with a resounding thud. Hilarious.


Greg talked about when he got into DJing at 16, he bought a book by a famous UK radio DJ named Emperor Rosco, called Emperor Rosco's DJ Book, and in the back were the addresses of the record companies. Greg wrote to them all and started developing contacts to send him the latest records and US imports, getting on their promo lists.

Greg pointed out that these record promo lists started in 1971, predating the arrival of the much-trumpeted record pools started by David Mancuso and co in NYC by 4 years.

He talked about with his current approach to DJing, he is always "looking for the balance between the past and the present." He mentioned DJing off laptop, but had reintroduced the Revox reel to reel in his DJ setup.

One way he uses it is to drop sound effects and samples into his mixing. He also uses it in the Jamaican dub style, dropping the reel to reel into record, then feeding it back into the mix, creating a live tape delay effect.

So, does he still make edits on tape? For the romance of it (as he put it)? "Madness! No!" He uses a computer, much easier say to make a 16 bar loop - he only has to edit it once, then enter repeat 15 times and it's done.

He talked about when he got back into DJing, after a 20 year break, which was on the back of an old mate of his, Kermit, playing him the first Black Grape album, and asking what he thought of it. Greg could hear where the edits needed to be, so he learnt digital editing using a system popular in radio, called Sadie.

He finished with a quick demo of the Revox, how to chop up tape and find the edit points. It was a very entertaining few hours. Big thanks to Conch Records, Murry Sweetpants, the British Council, and everyone involved in making it happen.

Go see Greg Wilson 1st March at Debajo, Queenstown, and this Friday night at the Nathan Club, Britomart, Auckland. 

RELATED: Greg Wilson in NZ! (Listen to his mixes)
Gregwilson.co.uk // electrofunkroots.co.uk
WATCH: Greg and his flash perm on The Tube, 1983, showing Jools Holland how a DJ mixes records, the first DJ ever to do this on UK TV. Greg talked about this event last night. The song was from David Joseph... Have added Greg's edit below, its's a free download...

"With the new Electrofunkroots site just launched a week ago [late Jan 2012], I thought this would be a good time to share this edit of David Joseph’s ‘You Can’t Hide (Your Love From Me)’, a track I’ll forever have a strong personal association with, given that it was with 2 copies of this 12" that I made my claim to fame as the 1st UK DJ to mix live on TV – on February 25th 1983 at Newcastle’s Tyne Tees TV studio, on the classic British music show, ‘The Tube’."

Tuesday, February 28, 2012

Wax on film contest!


DJ Prestige over at Flea Market Funk has hooked up with Eilon Paz from Dust and Grooves for a very cool contest... open worldwide....

"If you have a record collection, we want to see it. We want you to get creative and show us your collection in the most creative way. It’s a photo contest. It could be a straight on shot, a collage, a digital manipulation or any other image in the medium of photography. Judges are Eilon Paz, DJ Prestige, Rich Medina, B+, Dreams in Audio.

The chosen winners will receive Wax On Film gift packages from Nixon, Tucker & Bloom, Rare Byrds, Listen Clothing, 101 Apparel, Tropicalia In Furs, Cultures of Soul, Hot Peas & Butta, and more! Go here for more details."

If you need some inspiration on ways to photograph your record collection, go and check out Dust and Grooves, where Eilon Paz shoots folk and their collections with incredible style. Get in there!

Picasso core jukebox

Newly remastered swag of Picassos covering everyone from James Brown to Greg Johnson.  Out next monday. Have a listen!

Monday, February 27, 2012

Muppets and McKenzie make award-winning music together

Bret on the red carpet. Hat tip to Gareth A for the pic via Twitter

Wellington's Bret Mckenzie has won an Oscar for his song for the Muppets movie. From The Black Seeds to Flight of the Conchords to Hollywood. Congratulations!

Just checked Bret's EGOT status - he has won a Grammy and an Oscar, but missed out on an Emmy even though he has been nominated 5 times. Still, plenty of time.

ADDED: At Bret;'s post-Oscars interview, he said "I'm looking forward to writing with Jemaine in the future again. Because I'll be able to pull out the Oscar card and say "Mmm, I think we should use this chord . . ." and "I won an Oscar!" See NME.com.

Here's a song from Bret's solo record under the alias The Video Kid. Watch out for the skate cameo from Toby Laing of Fat Freddys rocking the cool headband styles.

Tere and King Kaps



Cool interview with Tere and Kaps, talking about how they do their music independently, working 23 jobs between the two of them.

Mo Kolours

Banana wine... "a free download of the lead track from Mauritian marauder Mo Kolours' forthcoming release, EP2: Banana Wine. It's his best yet, sounding something like a dubstep record as imagined on an island in the Indian ocean some 30 years ago."



Sunday, February 26, 2012

Vinyl is making a comeback #260

McKay used bookstore moving to bigger location (The Tennessean, Nashville).
“Vinyl is making a comeback,” Hart said. “We have gotten a good collection of vintage, religious and classical. And we are trying to get as much vinyl as possible..."

With vinyl’s resurgence, what goes around comes around (BYU, Provo, Utah, US)
"No, those aren’t giant black CDs. They’re called vinyl records. As digital music has become more prevalent, a counter-movement has taken place. Vinyl records, having long been confined to thrift stores and the houses of grandparents, are being embraced by listeners and musicians. While this latest trend might feel fresh to some youngsters, it’s really just a new spin on an old favorite..."

Leader: Vinyl flourishes as store opens in Huddersfield (UK)

"Is vinyl making a comeback? The reality perhaps is that for many, it never went away....

...Look no further for proof of the enduring appeal of old style records than a Huddersfield business which is arguably the country’s biggest vinyl dealer.

Vinyl Tap was founded 26 years ago by record collector Tony Boothroyd who buys and sells around the world.

The business is a haunt for music collectors worldwide and trades through 20 websites worldwide. It has existed solely online for 12 years but now Tony has reopened a walk-in shop in the heart of the town.

It seems that there is room for old and new technology to exist alongside each other and that for some, vinyl will never go out of style."