Tuesday, September 30, 2014

Mark de Clive Lowe: Church vinyl, video



Mark de Clive Lowe hit Auckland's Conch Records back in May as part of a whirlwind dash around the globe, hosting listening sessions in London, Berlin, Paris, Tokyo, LA, and here, for his wicked new album, Church. The vinyl edition has just dropped, along with a new video for the album.

Via OkayPlayer: "Mark de Clive-Lowe follows the release of the CHURCH LP with the official video for“Sketch For Miguel” directed by Eric Coleman for Mochilla. The clip filmed at L.A.’s Stagg Street Studios during the live album recording session features Mark de Clive-Lowe mashing it up with a little help from Miguel Atwood-Ferguson on strings, Ben Shepherd on bass and Jamire Williams on drums.

The video arrives alongside news of the limited-edition 180 gram double vinyl release of the acclaimed CHURCH LP. The pressing is limited to 500 copies and comes packaged with a full color insert and free digital download card. Mark de Clive-Lowe will be celebrating the vinyl release with two official parties in the Land of the Rising Sun, rocking The Room in Tokyo on October 4th and Circus in Osaka on October 5th.

Marvin Gaye and band rehearses “I Want You”



Via Wax Poetics: "In 1981, Marvin Gaye and his band played Ostend, Belgium, during a European tour. Before the show, the group rehearsed his monster funk ballad “I Want You” in what is apparently a hotel conference room. It’s truly a mind-blowing performance from Gaye, who effortlessly croons and directs the band while lounging on the couch."

From the Belgian documentary Marvin Gaye Transit Ostend

Yosi Horikawa: Remixed by Fulgeance, Kid Kanveil...

Monday, September 29, 2014

Urban Outfitters: The no. 1 seller of vinyl globally

Forbes reports that Urban Outfitters Claims It's Now The No. 1 Seller Of Vinyl In The World.

"... On a call with industry analysts this past week, Urban Outfitter’s Chief Administrative Office Calvin Hollinger claimed that the company was the biggest seller of vinyl on the planet, saying, “Music is very, very important to the Urban customer … in fact, we are the world’s number one vinyl seller.”

... To be fair, there isn't a lot of competition, as not many chains carry vinyl. In 2012, independent record stores were collectively responsible for 64% of all vinyl sales in the United States. Just last year, both Target and Whole Foods decided to jump on the trend and start offering shelf space for select titles, but sales aren’t significant yet...

"... The company says that part of it’s success in the vinyl game comes from their innovative stocking strategy. Urban Outfitters doesn’t actually buy the records it sells, but rather “rents” shelf space—both physically and digitally—to a team of over 100 vendors, which helps the retailer maximize profit potential while giving an unmatched opportunity to artists looking to push their LPs."

UPDATED Oct 1 2014:  from Billboard: Urban Outfitters doesn't sell the most vinyl 
"...after reading widespread reports repeating the claim, Billboard surveyed music labels, their distributors, and wholesalers, accounting for about 80% of the U.S. music market. The end result: Urban Outfitters is like Avis, and has to try harder.

A Billboard analysis shows that Amazon is the largest seller of vinyl in the U.S., with about 12.3% market share, followed by Urban Outfitters with 8.1% market share..."

Saturday, September 27, 2014

Ring The Alarm playlist, Sept 26



Gonzalez - Just let it lay
Chakachas - Jungle fever - Greg Wilson edit
Idris Muhammad - Express yourself
Sola Rosa feat Tawiah - Right on time
Keith Le Blanc -Taxcider
Salmonella dub - Problems - Zion Train remix
Jackie Mittoo - Chicken and booze
Yami Bolo - When a man is in love
Tenor Saw and Buju Banton - Ring the alarm quick
Kenny Dope - Supa
Lee Fields - Just can't win - Bacao rhythm and steel band remix
Busta Brown - I feel good - Soul mates remix
Mr Scruff - Donkey ride
Owiny Sigoma band - Yukimwi
Moana and the Tribe - Aotearoa
Melvin Jackson - Funky skull
Jermaine Jackson - Let's get serious
La Toya Jackson - If you feel the funk
Jacksons - State of shock
Hall and Oates - Can't go for this - Daz's deep dub
Ryhthm and Sound feat Paul St Hilaire - What a mistry
Adrian Sherwood - Moving house
Tokyo ska paradise orchestra -Big man still standing - Winsotn Hazel and Marc Woolford remix
Black haze express - Won't nobody listen
Cold grits - It's your thing
Labelle - Moon shadow
Meters - Chug chug chug-a-lug
Tony Alvon - Sexy coffee pot


'I Need a Dodge!' - a tale of Joe Strummer and his lost car




"Seven times I looked for it and I don't find it yet."

It’s 1997 and Joe Strummer is interviewed on Spanish radio. He mentions the Dodge which he had bought in Madrid 12 years earlier. One day he left the car in a carpark in central Madrid but on his return to the city, couldn't remember which one. He puts out a call to the Spanish people to help find his car.

This film discovers what Joe Strummer was doing in Madrid in 1985 while The Clash was falling apart, finds out the truth behind the production of the 091 LP and investigates what happened to his beloved Dodge.

'I Need a Dodge!' will get its world premiere at the CBGB Music & Film Festival in New York on October 11th.  http://cbgbfestival.squarespace.com/ineedadodge

Friday, September 26, 2014

Bearded Beats Vol 2, check it out




5 Finger Discount Records dropped their debut release, Bearded Beats Vol 1 back in May. I was lucky enough to be asked to contribute a track, and now, they're back with the latest instalment, featuring HazBeats (Homebrew/Team Dynamite), B Haru (Ladi6/@peace), ChoiceVaughn, SFT, Morning Steppa, plus recent visitor to our shores, Tall Black Guy. It's a cool,collection of funky beats.

Listen below. My track is under the name Kilodee - I want sushi and free wifi. 

Name you price... "100% of all profits made in the first 3 months will be distributed to the people who made these tracks, so if you enjoy it please support them! "

New Sola Rosa album out today!



Magnetics, the sixth album from Andrew Spraggon and his musical cohorts arrives today, on the back of some solid singles featuring some top notch vocal styles from the likes of Kevin Mark Trail, Georgia Anne Muldrow, and Noah Slee (check the video below).

The album also features vocal cuts from Sharlene Hector, Bailey Wiley, Mellowdownz, Jordan Rakei, Oliver Daysoul (who featured on the last Sola Rosa outing) and a splendid soulful jam with UK vocalist Tawiah.

Sola Rosa head out on tour around NZ next month, catch them here...
October 24 - Dux Live, Christchurch
October 31 - San Francisco Bathhouse, Wellington
November 1 - Tuning Fork, Auckland


Kinkajous




Some saucy, spaced out jazy bizznizz... press blurb: "Kinkajous is a London based band and the latest project of French duo Adrien Cau and Benoit Parmentier. Inspired by the new electro-acoustic scene, including the likes of Cinematic Orchestra, Jaga Jazzist, Bonobo, Ibrahim Maalouf and Portico Quartet, Kinkajous alternates powerful drums and mesmerising sounds with the sensitivity of the clarinet in a unique way.

Their first EP will be released on the 18th October 2014, and will include original tracks, a collaboration with the amazing Mariama (mariama.bandcamp.com) as well as remixes by CHPLN (www.chpln.com) and Krunzcahrt (krunzcahrt.bandcamp.com).

The band features Adrien Cau (clarinet/bass clarinet), Benoît Parmentier (drums/percussions), Layla Kim (synths/piano), Rick Tipton (samples/electronic sounds) and Sjur Opsal (bass/double bass)."

Thursday, September 25, 2014

Lee Fields X steel drums



A few months back, Bacao Rhythm and Steel dropped a great 45, covering J Dilla. There's talk of an album the way from the band, but in the meantime, check their great remix of Lee Fields...

"Truth & Soul is proud to present the "Just Can't Win" Remixes.

Bacao Rhythm & Steel Band lend their unique blend of steel drum melody and pounding drums to Lee's unmistakeable raspy tone giving the tune an upbeat sunshiney vibe. They are set to release their full length debut on Truth & Soul Records in 2015.

Marco Polo brought his signature slamming drums to the table balanced out by the smooth keys and the raspy delivery of the man himself, Mr. Lee Fields. Marco Polo has done production for the who's who of Hip Hop music including Pharoahe Monch, Masta Ace, M.O.P., and Large Professor to name a few. We were really excited to see what he would do with Lee's tune and to put it lightly we are not surprised."

Both remixes are coming soon to a 45 near you on Truth & Soul Records. Digital out now.

Wednesday, September 24, 2014

Join the Car Crash Set

Car Crash Set LP reissue
Car Crash Set, LP reissue

German label Anna Logue Records did a fantastic vinyl reissue of NZ 80s synth act Car Crash Set back in 2008 - they are planning a 2nd edition of this release, on ltd edition clear vinyl, and also a CD with bonus tracks including early demos that even the band don't remember, apparently. Due out soon.

From Anna Logue Records: "CAR CRASH SET were one of the very few electropop acts coming out of New Zealand and have released several vinyls nationally between 1983 and 1986. Basically, the CAR CRASH SET consisted of synthesists/composers David Bulog and Nigel Russell and guitarist/producer Trevor Reekie, and was formed in late 1981.

They created such outstanding electropop songs with a Roland TR-606/808 and such lovely sequencing, - e.g. “Fall from Grace” is definitely a song that Anna will take with her into her grave – that it is indeed a shame that they didn’t receive more attention. 

Anyway, their 1983 12” ‘Two Songs’ (including “Outsider” and “Fall from Grace”) and the V/A ‘We’ll do our best’ LP (including CAR CRASH SET’s “Toys”) are at least highly collectible items amongst electropop connoisseurs and many people will be happy to see these tracks being available again as well as four previously unavailable demos from both their earliest and later days. 

David and Nigel were said to be recording again together with only the original Roland gear (“nothing else will do” as David says): TR-606, Jupiter-4, MC-4, System 100m modular and System 104 sequencer as well as Nigel’s Korg MS20… oh well, Anna is prepared!"

LP features: 2nd edition vinyl, limited edition of 210 copies, 180 grams clear vinyl, CD with bonus tracks. CD features: limited edition of 500 copies, bonus tracks.

MORE: via Audioculture... Q&A with Car Crash Set’s Nigel Russell, Trevor Reekie & David Bulog
love the story about Car Crash Set supporting UK band Shriekback, then inviting them back to Mandrill studio to help out on a CCS recording, that never got released at the time... listen to that song over at Amplifier... 

Tuesday, September 23, 2014

Brazilian bus magnate buying up all the world's vinyl

Zero Freitas, in his 25,000 sq ft warehouse. Photo: Sebastián Liste/Noor, for New York Times

"I've gone to therapy for 40 years to try to explain this to myself." NYT Magazine's Monte Reel with the story of the Brazilian who's buying up all the world's vinyl.

I've seen a ton of my music friends sharing this link around the place, it's a fascinating story. A Brazilian bus magnate, buying up the world's vinyl. Dude has too much cash. And how many records?

CNN reports that "No one really knows, and he told New York Times Magazine it was around "several million albums." 

Even that's an understatement, considering he just bought the entirety of a three-million album collection from a dealer in Pittsburg. He also bought the entirety of New York's Colony Records when the shop closed in 2012. His collection also contains interesting niche subjects, such as Cuban records, of which Freitas owns nearly 100,000 of. That's almost every album every pressed in the country.

The entrepreneur currently has a team of 12 college interns that catalogue around 500 records a day, which is still hardly enough to keep up. Roughly 30 percent of Freitas' collection are duplicates, which still doesn't seem too bad considering the sheer volume of his collection...."

It's the flipside to the reporting several years back, of two US record collectors, struggling to sell off their collections and being unable to find any serious buyers. Music Man Murray has a legendary collection (300,000+ records), going right back to 78s. He had been trying to find a home for his collection for years, talking with libraries and museums.

And Paul Mawhinney, who, according to the NYT article, "... spent about two decades trying to find someone who agreed. He struck a deal for $28.5 million in the late 1990s with the Internet retailer CDNow, he says, but the sale of his collection fell through when the dot-com bubble started to quiver. He contacted the Library of Congress, but negotiations fizzled. In 2008 he auctioned the collection on eBay for $3,002,150, but the winning bidder turned out to be an unsuspecting Irishman who said his account had been hacked...

...[late last year] eight empty semitrailers, each 53 feet long, arrived outside Mawhinney’s warehouse in Pittsburgh. The convoy left, heavy with vinyl. Mawhinney never met the buyer. “I don’t know a thing about him — nothing,” Mawhinney told me. “I just know all the records were shipped to Brazil.”

Al Jazeera recently sent a reporter to visit Freitas...

Rangi Parker receives Iconic Māori Music Industry Award



At the recent Waiata Maori Music Awards, held on Sept 12th in Hastings, Rangi Parker was presented with the  Iconic Māori Music Industry Award, sponsored by the NZ Music Commission.

Parker was from Porirua and had previously been in the Gaynotes and the Shevelles before going solo. She released her first single for HMV in 1972, Everyday Is Sunday / Turn Around And Love Me.

MormonNewsroom: "The award recognised Mrs Parker for her contributions over many years as a performer. She performed two songs at the awards event held at the Hastings Sports Centre on 12 September: “Mihi Mai E Koro,” a song written by her aunt, Dovey Katene Horvath; and "Home," by Eddie Low.

... Mrs Parker says one quote she heard as a child has always stayed with her, and helped her in her family and community involvement: "He aha te me nui o te Ao ma ku e ki atu, He Tangata He Tangata, He Tangata."

"This means," she says, "What is the most important thing in this world? I say to you, It is People. It is People, It is People."

Rangi Parker at the Waiata Maori Music Awards. Photo: Mormonnewsroom

Audioculture: "When interviewed by Radio New Zealand's Chris Bourke, Dalvanius said, "Rangi Parker had this most haunting vocal and to this day I think she is one of the greatest Māori singers that's ever come out of this country, she has the most distinct, incredible voice. Tom McDonald was managing us and Tom had Simple Image, so every Simple Image tour had The Shevelles on it. I became their musical and vocal arranger.”

“.... I jumped on a plane when The Shevelles secured a six-month contract doing all the RSL clubs in Australia. They should have been huge but they weren't, mainly because we had the conflict with their being very religious. They would never sing on Sunday. I left them, I wanted to sing on Sunday, I wanted to travel."

Ironically, the first solo single by Rangi Parker was 'Everyday Is Sunday' on the HMV label in 1972 and it was a finalist in that year's Loxene Golden Disc Awards. Parker also released the single 'He's Not There' on HMV in 1973.

Since the mid-1980s Parker has been actively chasing down the photographs, audio and film recordings of the Māori community made by Latter Day Saints Missionaries, who have visited New Zealand since 1854. By visiting descendants of families of the missionaries, Parker's Kai Nagawari Trust have sourced 36,000 photos, associated written diaries or documents and hours of footage made on 8mm cameras documenting Māori culture and the Mormon Church in New Zealand. "

For more on Rangi's contribution to our musical history visit the Shevelles page on Audioculture.

Robb: new EP out now



I first wrote about Robb back in March, when they sent me some cool music, which is the opening track on this EP, that dropped late last month. It's a gorgeous track, definite soul vibe on the Electric Wire Hustle tip.... They are a band from Germany and Austria. Check em.

Several of the tunes on the EP are available for download - you need to log into Facebook and 'Like' the band.

Monday, September 22, 2014

5 years of LA label Friends of Friends




"For five years, Friends of Friends has been at the forefront of Los Angeles' independent music culture, propagating a rich catalogue of innovative releases from across the electronic music spectrum.

This year, FoF is celebrating its fifth anniversary with a massive compilation featuring classic songs from the likes of Shlohmo, Salva, LOL Boys and Tomas Barfod alongside B-sides, rarities, remixes and brand new tracks from the extended Friends of Friends family. Disparate sounds from Rome Fortune, Shigeto and Nicolas Jaar find a home on 5oFoF: Five Years of Friends of Friends, drawing together the label's eclectic past with its exciting, genre-melding future." 

Out November 4, 2014. Pre-order it now and you get 19 tracks now, plus the complete album the moment it's released.

Saturday, September 20, 2014

Ring The Alarm playlist, Sept 20



Herbs -French letter dub
Linton Kwesi Johnosn - Victorious dub
Koliphones - Voyage into the sun
Lee Fields - Just can't win - Bacao rhythm and steel band remix
Freddie Joachim - Fountains
Souls of mischief and Adrian Younge - Meeting of the minds inst
The Excelsiors - Lookout weekend
Fat Freddys Drop - Tropo
Curtis Mayfield - Move on up
Unlimited touch - I hear music in the street
James Brown - Get up, get into it, get involved
Lonnie Smith - I can't stand it
Build an ark - Door of the cosmos, Take 1
Prince - Sign of the times
Jody Watley- Friends - extended version
Jimmy Bo Horne - Spank
Stevie Wonder - As
Q-Tip - Work it out - Grant Phabao remix
Specials - It's all up to you
The Clash - Rudie can't fail
Hallelujah Picassos - Salvadore - Dub Asylum vs Pains people remix
Jose James - Blackmagic - Joy Orbison remix
Four Tet - Serious as your life
Souleance - La romance


Tony Allen beat tape....



Some cool beats here, cut from the work of afrobeat drummer Tony Allen.... from Comet Records, who have dropped a number of Tony Allen albums...

Thursday, September 18, 2014

Silver Scroll finalists announced

Tami Neilson

After announcing the long list of 20 finalists, APRA has revealed the shortlist for this year's Silver Scroll Award earlier today. The winner will be announced on October 30 at Wellington's TSB Arena.

I'm surprised and disappointed that Connan Mockasin didn't make it thru for his fantastic song I'm The Man Who Will Find You, easily one of the sharpest songs to come out of Aotearoa in a long time. And no hiphop or R&B in the final 5 either.

Joel Little is up for the 2nd year in a row, after winning as co-writer with Lorde for Royals last year.


From APRA's press release: "The top five songs in line for the 2014 APRA Silver Scroll Award are:

Back on My Feet, written and performed by Louis Baker.

Bob Lennon John Dylan, written by Samuel Scott, Lukasz Buda, Thomas Wedde, William Ricketts, Thomas Callwood and Christopher O'Connor, performed by The Phoenix Foundation

Bridges, written by Georgia Nott, Joel Little and Caleb Nott, performed by Broods 

Me At The Museum, You In The Wintergardens
, written by Hollie Fullbrook, Alexander Freer and Cass Mitchell, performed by Tiny Ruins

Walk (Back To Your Arms), written by Tami Neilson and Joshua Neilson, performed by Tami Neilson.

 The winner of the award is decided by the votes of the 10,000 strong APRA membership, comprised of songwriters and composers.

Also announced today are the finalists for the APRA Maioha and SOUNZ Contemporary awards, as well as the finalists for two new awards – APRA Best Original Music in a Feature Film and the APRA Best Original Music in a Series.

The finalists for the 2014 APRA Maioha Award, celebrating excellence in Māori Music are:
Kati Ra, written by Maraea Davies, performed by RJ Kerswell
Kei Muri Pea, written by Kororia Taumaunu, Amomai Pihama and Matt Sadgrove, performed by Manea
Tiki Tapu, written and performed by Rob Ruha.

The finalists for the 2014 SOUNZ Contemporary Award, celebrating excellence in contemporary composition are:
Aquae Sulis - for orchestra of winds, strings, harp and percussion, composed by Leonie Holmes
Inner Phases - for Chinese instrument ensemble and string quartet, composed by Michael Norris
Macropsia - for orchestra, composed by Celeste Oram.

The finalists for the 2014 APRA Best Original Music in a Feature Film Award are:
Beyond the Edge, written / composed by David Long
Field Punishment No. 1, written / composed by Victoria Kelly
Romeo & Juliet: A Love Song, written / composed by Michael O’Neill and Peter Van Der Fluit.

The finalists for the 2014 APRA Best Original Music in a Series Award are:
Girl Vs. Boy (Season 2), written / composed by Tom Mcleod
Harry, written / composed by Karl Steven
Wiki the Kiwi (Season 1), written by Andrew McDowall.

All awards will be presented at the APRA Silver Scroll Awards, along with the Most Performed Works awards and a very special induction into the NZ Music Hall of Fame.

The Silver Scroll Awards will be streamed live on NZ Herald Online." 

Chali 2Na & The House Of Vibe, live in AKLD this Friday



Chali 2na (of Jurassic 5 fame) and his band The House Of Vibe  are playing live in Auckland at the Powerstation this Friday night (Dunedin show tonight at Union Hall, and Wellington show on Saturday at James Cabaret). He was originally scheduled to play some solo shows here in April, but those shows were cancelled.

His band has some pretty cool cats backing him - on drums, Phillip 'Fish' Fisher one of the founding members of South Central LA's Fishbone;  and Anthony 'Brew' Brewster, a founding member of another great LA band The Untouchables, and keys player on Talib Kweli, and De la Soul live shows.

Wednesday, September 17, 2014

Freddie Joachim - Leaves



New jazzy, laidback instrumental hiphop beats from Calfornia's Freddie Joachim, producer, musician, label co-owner. Name your price, well worth a  listen.

Monday, September 15, 2014

U2 hit 500 million iTunes users with free album - Ebono virus spreads



I watched numerous friends rant at length on social media last week  about discovering an unwanted U2 album Songs Of Innocence on their Apple devices, following the latest product announcement from Cupertino. It's a concept album about the band’s Dublin childhoods. Excited yet?

Giving away your album for free is very different from forcibly installing it on people's devices without their permission. That's generally called malware, or a virus.

Apple boss Tim Cook showed off some bigger size iPhones (which, while mimicking existing Android phones in size, have incredibly good camera/.video specs). He also came out with an Apple Watch, which The New Yorker's Sasha Frere Jones described as looking "like a Happy Meal prize."

Jones listened to the album (so you don't have to, nice one), and I'm glad he did, cos a U2 album that starts with a song called “The Miracle (Of Joey Ramone)” is never gonna be good.

Jones describes it as  "One of those yo-ho-ho nautical camp sing-alongs that Coldplay loves to squeeze out. Not as good as “Pretty Hurts.” Also: don’t talk about Joey Ramone." Yep, that. He finishes his track by track review by saying "Don’t shove your music into people’s homes."

Bob Lefsetz detailed "How U2 Blew It", noting that "... How could the band be so stupid as to believe anybody would actually play their music, especially the 500 million it was pushed to. Where’s the afterplan? Nonexistent ...

"... We live in a pull economy. Nothing pisses off the audience more than pushing something they don’t want and didn’t ask for to their devices. Even if you don’t download the album, it’s sitting there in your purchases, pissing you off." 

Lefsetz compared it to the impact of Beyonce's latest album, saying that "at least Beyonce had the videos, somewhere to click to." 

Digital Music News noted Billboard saying it would not recognise the U2 album on its charts, as they do not chart albums given away for free. 

DMN also reported that "less than 48 hours after the surprise [release], the publication claimed that the album has only been accessed ‘about 200,000 times’ by iCloud account holders, or 0.04% overall."

This story hints that  Beats Electronics' Jimmy Iovine may have been behind the deal for the free U2 album. U2's deal with Apple includes a $100m marketing campaign. Reckon they are worth it? Possibly, if the follow up album Songs Of Experience is a smash hit. No pressure, guys.

Note: saw a friend mention the Ebono virus on FB, she'd heard it from someone at a record company. "The 'ebono' virus is to blame for the global outbreak of a U2 album in iTunes."

Saturday, September 13, 2014

Ring The Alarm playlist, September 13



DNA feat Suzanne Vega - Tom's diner
Scribble - Scratch marchin'
The Excelsiors - Cold steel inst
Visioneers - Runnin'
Mantronix - Do you like Mantronix?
Kraftwerk - Telephone call  - Francois K remix
Ballistic Bros - Peckings
Dub connection - Knokoder
Joe Gibbs & African Dub - Outrage
Baba Brooks - Watermelon man ska
Derrick Morgan - I'm the ruler
Stinky Jim - Wretched rub
Bjorn Torkse - Dub vendeors
Beat pharmacy  -Sunshine
Brassroots - Good life
Metrophonics - Latin racer
Jorge Ben - Umbabarauma
Mongo Santamaria - Sing a simple song
Chic - Strike up the band
Stevie Wonder - As
Jean Knight - Carry on
Barkays - Humpijn
Emotions - Blind alley
Staple singers - We the people
Sola Rosa - Both of us
Quincy Jones - Hummin
Bonnie Pointer - Ah shoot
Henry Mancini  - Baretta'a theme


Jaiyede Afro by Orlando Julius with The Heliocentrics, out this week

Via Strut: "Asked how his band, The Heliocentrics, would approach their new collaborative album with Nigerian saxophone legend Orlando Julius, drummer Malcolm Catto said that he wanted to record the psychedelic album that Orlando had never made, echoing cult Nigerian bands like The Psychedelic Aliens and others.

The resulting album is a revelation. Brimming with thick afrobeat grooves, the incredible playing of Orlando Julius and touches of otherworldly sonic alchemy, Jaiyede Afro is one of the most exciting new afrobeat recordings we've heard in a long time.

The album is out this week, and always a limited quantity of 180 gram vinyl editions are available exclusively on the Strut store. A making-of feature including footage of both artists in the studio together can be streamed below."


Friday, September 12, 2014

RIP Cosimo Matassa, recorded New Orleans R&B

Cosimo Matassa, 1981. Photo: Times Picayune

Legendary New Orleans studio owner and recording engineer Cosimo Matassa has died, aged 88. He recorded legendary artists Fats Domino, Professor Longhair, Lee Dorsey, Ernie K-Doe and dozens others. 

When he was inducted to the Rock N Roll Hall of Fame in 2012. the Times Picayune reported that "Matassa opened what was reportedly New Orleans’ first recording studio at 838-840 North Rampart Street in 1945 after dropping out of the chemistry program at Tulane University. He was not yet 20 years old.

His family’s J&M Music Shop, a record and appliance store, occupied the front of the building. He installed J&M Recording Studio in a back room. It measured 15 by 16 feet, with a control room that Matassa has described as being “as big as my four fingers.” The “J” and “M” referred to the initials of his father, John Matassa.

Though modest in size, J&M Recording played a major role in popular music. Several records cut there facilitated the transition of rhythm & blues to rock ‘n’ roll, including Fats Domino’s 1949 debut, “The Fat Man,” Roy Brown’s “Good Rockin’ Tonight” and Little Richard’s “Tutti Frutti.”

During the golden age of New Orleans rhythm & blues, J&M was ground zero for musicians, songwriters, producers and record label representatives. Its pedigree rivals that of the better-known Sun Studios in Memphis, Tenn. Essentially, Matassa provided the framework for the creation of the “New Orleans sound.”

From Times Picayune: "What a great way to make a living," he said in a 2012 interview with The Huffington Post.

"I wanted to be a just conduit of what that performance was – a performance frozen in time, if you will. So if you didn't know I was there, I did my job. . . .

"I appreciate people thinking about my work, and I always try to say that all the great musicians made me look good. And I believe that. I wasn't playing. I couldn't have done any of those records if the guys sitting in the chairs didn't do them. So first and foremost, credit to them. I will say I tried my damnedest to make them sound good."

Bullet That Breaks The Key - New EP from Hallelujah Picassos, out now!




Press release: "Following on from their insanely catchy new single Salvadore (Miles Away From You), released in July to widespread acclaim and much aroha, Hallelujah Picassos return with a brand new digital EP. Available now on Bandcamp, iTunes, Amplifier.

The four song EP features Salvadore (Miles Away From You) in its original form, plus a special beat-heavy remix of Salvadore by Dub Asylum (Peter McLennan) vs Pains People (John Pain).

Salvadore has featured extensively on the playlists of BFM, KiwiFM, Radio Active, RDU and Radio One, and appeared on the top ten charts voted by listeners of BFM, KiwiFM and RDU. It jumped from #10 to #2 on the BFM Top Ten this week!

Next up, one of their early numbers, Crack Dub (off their debut album Hateman In Love), gets reversioned by the band as Cracked Salvation, a warm, mellow, dubby number, and then we have a raucous, noisy guitar tune, called Hang All Bankers, lyrically inspired by the 2008 financial crisis, and how our politics is ruled by money. It’s a battle cry for the huddled masses. “Let karma be your hell-hound…”

Money, politics, and corruption are themes that runs thru some of the songs featured here. The EP title refers to the key to Pandora's box, and the mythology around it.

The EP was recorded and produced by Daryn Harkness, John Pain and Hallelujah Picassos at the Institute for Telepathic Research, and mastered by Angus McNaughton. Cover art image by Erin Forsyth. Released on Loopy Fruit Recordings, 2014. Cat no PCORP006



Thursday, September 11, 2014

Previously unreleased JBs, out Nov 28



Via Now-Again Records: "Previously unreleased and unheard 1970 album by James Brown’s backing band the JB’s, led by Bootsy Collins. Release date: “Black Friday,” November 28, 2014. 
Limited to 3000 pieces – VINYL ONLY. Exclusive pre-order at rappcats.com

LP with booklet, full annotation, liner notes by James Brown historian Alan Leeds, and never-before-published photos.



In 1970 James Brown perfectly captured a definitive moment in modern music when he called Bootsy Collins into the studio to record the tracks that would beThese Are The J.B.’s, a title given to a King Records test-press LP that was never released, and only rumored to exist.

This album is the epitome of funk music, Brown’s innovation that influenced everything that came after it, from Afro-beat to disco to hip-hop.

If there is any funk ensemble as influential as Brown’s in the post-“Cold Sweat” musical landscape, it’s the Bootsy Collins/Parliament/Funkadelic contingent. Those two streams, as Grammy-winning James Brown historian Alan Leeds details in this album’s liner notes, converged for the first time here.

This link between Brown’s funk and all that followed features Bootsy and his young band running through twelve-minute instrumental take of Marva Whitney’s “It’s My Thing,” replete with blues chord changes, alongside interpretations of the Meters, Kool and the Gang and none other than Jimi Hendrix. This is a young band’s James Brown-turned-on-his-head style of funk that they nail in a one-minute vamp that embodies the essence of the psychedelic-flavored music that would propel them into the orbit of George Clinton’s mothership.

This is the first commercial issue of this album, overseen by Now-Again’s Eothen “Egon” Alapatt alongside Leeds and Universal Music Group’s James Brown expert Harry Weinger. It was mastered specifically for vinyl by Elysian Master’s Dave Cooley, from the original two-track stereo master that James Brown and his engineer Ron Lenhoff delivered to production forty-four years ago. It’s packaged in a thick, “tip-on” Stoughton jacket, with a booklet with liner notes by Leeds and Alapatt and unpublished photographs."

Also read: When Bootsy Collins Met James Brown by Bootsy Collins at RBMA

Wednesday, September 10, 2014

Bastard Jazz: Hear no evil 3, incl Lord Echo and more



Couple of cool Kiwi tracks on this collection from NYC's Bastard Jazz label...

"Bastard Jazz is proud to present another volume of our sporadic "Hear No Evil" compilations featuring unreleased tracks, B-Sides, Rarities and Remixes from the label.

This time around we're offering up a killer dancefloor remix of Potatohead People's "Blossoms" by Montreal producer Nick Wisdom, Lord Echo's unreleased dub of "Digital Haircut" from his Curiosities album, the instrumental of Captain Planet's dancefloor burner "Poquito Mas", and a beautiful samba-esque remix of the Elder Statesman's "Montreux Sunrise" by Cali-cum-Rio DJ and remixer Tee Cardaci."

Tuesday, September 09, 2014

Gene Dudley Group drop new 45



Via Wahwah45s, cool tune from Gene Dudley Group... "Wah Wah 45s are proud to present the brand new single from one-man horn driven funk music machine, The Gene Dudley Group.

Following on from last year’s debut long-player, and a run of gigs and festivals with his band, including touring Europe as Stones Throw artists Myron & E’s new backing band, Gene Dudley returns with a taste of things to come and his first ever vocal offering on 7-inches of wax. Those vocals come courtesy of London singer and erstwhile DJ, the wonderfully monikered Anne Frankenstein, whose contribution to Gene’s canny cover of Richard “Groove” Holmes’ classic No Trouble On The Mountain is something of a floor filler and a rather fitting release in Wah Wah 45s’ fifteenth year, as Holmes’ original was one of the label’s first ever 7-inch releases!

On the flip comes the first real flavour of Gene’s forthcoming sophomore LP, due to drop (on vinyl too!) this November. Stevie Flare is a much more up-tempo and foot friendly affair than previously outings, and has something of a tropical feel courtesy of warm highlife style guitars as well as those trademark Gene Dudley horns.

Look out for the Gene Dudley Group live band playing at a venue near you this autumn, including a special session at London’s Jazz Café on October 24th for none other than BBC 6Music’s funk & soul ambassador, Craig Charles!"

Music genome explored with Pandora's Steve Hogan

Lorde, broken down by Pandora's music genome - techno robotic...

Steve Hogan from Pandora was in Auckland to talk about Pandora's music genome and how it works. He gave a talk at AUT last night, covering how the various elements are broken down, into 25 different pointers. You can see a few of these in the above photo of Lorde, categorising her song 'No Better'.

Stop Press describe it: "Powered by a catalogue of music analysis called the Genome Project, Pandora's recommendation system feeds you songs based not on genres but rather on similarities between songs from a musicological perspective. This removes the bias given to popular songs, and makes it more likely for passive listeners to hear music that would normally fall under their radar."
Hogan said Pandora currently has 250 million registered users (and 75m unique users a month), and in NZ, they will shortly hit 250,000 users. We are the first territory outside the US to get Pandora. 

Pandora was originally a company called Savage Beast Technology - I may have misheard that as Savage Garden. Hogan noted that the big turning point for Pandora was the arrival of the iPhone in 2007. Now, 75-80 % of listening to Pandora is done on mobile devices. 

Their system has three main selectors that influence playlists - 1, content-based recommender (the music genome), 2, collective intelligence (gained from listeners), and 3, collaborative filter, for when you listen to a song and click on the 'thumbs up' or 'thumbs down' icons. They are currently adding 10,000 songs a month. On an average month, 95-98% of all the tracks they have on file will get played. 

Hogan talked about the acoustic sessions they've been filming with artists at their offices, called the Whiteboard Sessions. When these artists come to visit, they show them the data they have on file about the artists and the geographic info on where their fans are. 

During the Q&A I asked Hogan if they had any plans to make that data available to bands, to help them decide where to tour, for example, and he said yes, they were working on making that available. 

At last weekend's Going Global Music Summit, I heard one of the panellists, Craig Pearce (manager of the Black Seeds, Phoenix Foundation, and Lord Echo), talk about using data collected via aggregators/ streaming services - for example, say one of his bands is keen to tour America - he can show them they have no streaming of their music there, but have lots of listeners in the UK, so it makes sense to tour there, rather than America, because you already have an audience there. Data makes you smarter. 

Hogan also talked about an artist who made $50,000 from Pandora, and told them "You are feeding my family." Cool story, bro. 

More reading: Spotify CEO: “Artists Will Make a Decent Living Off Streaming In Just a Few Years” [as a mate commented to me, " sounds like a Tui billboard..." ]

Added: Pandora is currently in a court case over refusing to pay royalties on pre-1972 recordings
David Lowery: My Song Got Played On Pandora 1 Million Times and All I Got Was $16.89



Steve's final slide. Because, more cowbell...

Saturday, September 06, 2014

Ring The Alarm playlist, September 6



Cutty Ranks - Who seh mi dun
Wally Badarou - Chief inspector - inspector dub
Chaka Demus and Pliers - The boom
International observer - We know
Pitch black - Soliton - Borrower and lender remix
Nextmen vs Joe Dukie - Hold me now
Pamoja - Ooh baby - Jr Dynamite edit
Sharon Jones and the Dapkings - Stranger to my happiness
James Brown - Talking loud and saying nothing
Betty Harris - Mean man
Eddie Bo - Hook n sling pt2
Allen Toussaint - Goin down
Gassella Oliphant - Get out of my life woman
Cornelius Brothers and Sister Rose - Treat her like a lady
Barbara Lynn - This is the thanks I get
Pointer Sisters - Send my baby back
Martin Brew - Hit the disco
Aim - Just passin thru
I.G Off and Hazardous - The nicest inst
Gene Dudley Group - Hilo bay halfway - Gene Dudley disco dub mix
Ike and Tina Turner - Nutbush city limits
The Delegates - Pygmy pt1
Mr Scruff - Ug
Hallelujah Picassos  -Salvadore - Dub Asylum vs Pains People remix
The Orb and Lee Scratch Perry  -Soulman - Villad B remix
The Clash - Silicon on sapphire
Rip rig and panic - Storm the reality asylum
Roxanne Shante - Have a nice day
Spyder-D - Big apple rappin
Shelahroc - If I gave you the mic - phat beats down mix
DLT - The altruist
Ota -Nuinui

Friday, September 05, 2014

Get cleaned up: Sustainable Coastlines charity ball coming


"The stage is set for our fundraising ball: ‘Let’s Get Cleaned Up’ on Saturday 4 October, 2014. The Sustainable Coastlines charity ball is the perfect chance to get cleaned up, dust off the dancing shoes and have a rollicking good night. All while helping us raise critical funds to continue our work.

Starting at 7pm at this fantastic harbourside location, we will have world-class entertainment, delicious drinks and a mouth-watering three-course dining experience; a stellar combination for a night that you will not forget. 

The evening features performances from the soul-powered funk of the Hipstamatics, special guest Peter Urlich, and man-about-town, DJ Murry Sweetpants.

Take advantage of our discounted early-bird tickets for $140, on sale until 5pm, 11 September. Tickets include a three-course meal, all your drinks, world-class entertainment throughout the night and free ticket to the official after party at a fancy top-secret venue.

All ticket sales along with live and silent auction packages up for grabs during the evening will raise funds for our ongoing work motivating and educating communities to look after our coastlines and waterways. This will be the night out to celebrate the winter’s end and ring-in spring. Strictly R18, sorry kids."

Thursday, September 04, 2014

New EP from Hallelujah Picassos, out Sept 12





Bullet That Breaks The Key - New EP from Hallelujah Picassos, out Sept 12

Following on from their insanely catchy new single Salvadore (Miles Away From You), released in July to widespread acclaim and much aroha, Hallelujah Picassos return with a brand new digital EP.

The four song EP features Salvadore (Miles Away From You) in its original form, plus a special beat-heavy remix of Salvadore by Dub Asylum (Peter McLennan) vs Pains People (John Pain).

Salvadore has featured extensively on the playlists of BFM, KiwiFM, Radio Active, RDU and Radio One, and appeared on the top ten charts voted by listeners of BFM, KiwiFM and RDU.

Next up, one of their early numbers, Crack Dub (off their debut album Hateman In Love), gets reversioned by the band as Cracked Salvation, a warm, mellow, dubby number, and then we have a raucous, noisy guitar tune, called Hang All Bankers, lyrically inspired by the 2008 financial crisis, and how our politics is ruled by money. It’s a battle cry for the huddled masses. “Let karma be your hell-hound…”

Money, politics, and corruption are themes that runs thru some of the songs featured here. The EP title refers to the key to Pandora's box, and the mythology around it.

The band came together in 2013 to follow up on their reissues (Rewind The Hateman in 2011, Picasso Core Jukebox in 2012) with a handful of live shows with the likes of Drab Doo Riffs, Bloodbags, and Labretta Suede and the Motel 6.

The lads enjoyed playing together again immensely, so they continued on their merry way, blasting through old tunes and writing some new gems. Their last recorded outing was 18 years ago.

The current lineup of the band features the original members – Roland on vocals, Bobbylon on drums and vocals, Peter McLennan on guitars, with Darryn Harkness on bass (Loud Ghost / New Telepathics / Braintree), and original bass player John Pain, shifting to keyboards – his original instrument before joining the Picassos.

The EP was recorded and produced by Daryn Harkness, John Pain and Hallelujah Picassos at the Institute for Telepathic Research, and mastered by Angus McNaughton. Cover art image by Erin Forsyth. Released on Loopy Fruit Recordings, 2014. Cat no PCORP006

track listing
Salvadore (miles away from you)
Hang All Bankers
Cracked Salvation
Salvadore Dub Asylum vs Pains People Remix

Wednesday, September 03, 2014

RIP Johnny Cooper, the Maori Cowboy

Johnny Cooper – the Maori Cowboy. Ref: NatLib PAColl-10069-18-08

John Dix‎ posted on FB NZ's Music Scene, Bands and Nite-clubs 1960s and 1970s this evening [September 3]: "Have just heard from Lower Hutt - NZ rock'n'roll pioneer JOHNNY COOPER passed this afternoon..." He was 86.

NZ Musician reports that "Since retiring in the 1990s he lived a reclusive life. Despite the early stages of Alzheimer's, he remained independent, living alone in Lower Hutt until his death."

Johnny (Tahu) Cooper was famously nicknamed The Maori Cowboy as his first love was country, and he recorded NZ's first rock n roll record, a cover of Rock Around The Clock, in 1955.

From National Library:  "... Back in 1955, HMV’s New Zealand office erred on the side of caution, deciding not to release the USA’s hottest tune of the season. They quickly realised their mistake, and in August compromised by recruiting local artists, including Johnny Cooper, accompanied by Ken Avery and other jazz and dance musicians, to record the song "Rock Around the Clock", B-sided by “Blackberry Boogie”.

Despite the historic significance of Cooper’s recording it’s not actually clear whether the record sold well or not. Either way the recording was eclipsed by Bill Haley and His Comets’ version when finally released a year later.

Cooper went on to record his own rock and roll song, a little number he hoped would entitle him to ‘free feeds’ from a pie cart in Whanganui: “Pie Cart Rock and Roll”.

The Māori Cowboy
Although often regarded as New Zealand’s first rock and roller, Cooper’s real passion was always country music. Growing up he had immersed himself in the songs and films of the singing cowboy Gene Autry. After attending Te Aute College he headed for Wellington, swapped his ukulele for a guitar, bought himself a pair cowboy boots and came to be known as the Māori Cowboy...

... Cooper proved himself with 1955’s was “One by One”, a cover of a duet by Red Foley and Kitty Wells. On the reverse side was Cooper’s own “Look What You’ve Done (Lonely Blues)”, a song HMV was reluctant to record due to its simple and repetitive lyrics; the record became a double-sided hit. This proved popularity made Cooper HMV’s first choice to record the new dance/music craze that was rock and roll.

“Look What You’ve Done” went on to become a standard party sing-along tune (as portrayed in Once Were Warriors ) and cover versions were recorded by Wilf Carter, Slim Dusty, and others. Johnny Devlin also recorded the song, perhaps out of respect for Cooper’s mentoring – or maybe just because it was a great tune."



from nzhistory.net: "Johnny Cooper grew up on a farm in Wairoa where he played guitar to the shearing gangs. He became known as ‘the Maori Cowboy’, crooning country ballads with his band, the Range Riders, which was formed in 1952.

... It was Cooper's third rock ’n’ roll recording – ‘Pie cart rock’n’roll’ (1957) – that took him into local music history. Cooper often had a meal at the Whanganui pie cart late at night after a talent quest or dance. The menu was basic: pea, pie and pud, with a choice of takeaway or dining in by perching on the narrow seats in the hot and stuffy carts. 

It was there one night that Cooper told the pie cart proprietors, Arthur and Geraldine Dalley, that he’d write a song about their cart. ‘Pie cart rock’n’roll’ was born and, with it, New Zealand's first home-grown rock 'n' roll song [tho it appears to have been beaten to being released by a few weeks by this song].

There’s a story that Cooper traded the song for free meals at the cart. Asked about the episode in 2007, Geraldine (who still lives in Whanganui although she has long given up the pie cart) has a different version. ‘Oh, no,’ she says, ‘it was only the police who got free feeds.’

Johnny Cooper, Wellington Town Hall, December 1956

I saw this photo featured as part of an exhibition in Wellington in early 2013 organised by author Chris Bourke at the NZ Portrait Gallery, based around images from his book Blue Smoke.

In the book accompanying the exhibition, Bourke recalls that Cooper was reluctant to cover Rock Around The Clock, saying - "I sang love songs. It was foreign. I said ' Look, we'll never be able to record that because I don't know what I'm singing about'."

HMV's A&R man Dave van Weekes insisted Cooper record it, and as he was under contract, he did as he was told. The above photo is Cooper and band performing at one of the regular Jazz Festival concerts at the Wellington Town Hall.
 
Bourke writes that at the concert " ... the big band jazz musicians sat back while a small combo accompanied Cooper as he jived and sang. "One two three o'clock four o'clock rock..."  saxophonist Lawrie Lewis recalled "That's all we heard. The crowd went mad, they absolutely shrieked ... From then on, for the rest of the concert, the crowd just didn't want to know about anything else." At half-time the jazz musicians conferred among themselves, saying, "My god, we're finished: what happens now?"

Pie Cart Rock N Roll was the title of a great compilation of NZ rock n roll put together by archivist John Baker, and released on CD in 2003. It contained 28 songs covering 1957-1962. That release notes that jazz musician Mike Nock played piano on Cooper's pie cart ode, alongside a handful of other jazz musos from the capital city, as Cooper's regular backing band, the Range Riders, weren't interested.

READ: Chris Bourke's post at Audioculture on Johnny Cooper.

ADDED: From Gisborne Photo News, August 20, 1959: "We took a camera along to one of the semi-final nights of the Johnny Cooper Show [Cooper ran and hosted talent shows in the 60s and 70s], which has been filling the Opera House to capacity every Thursday night for some time, featuring local contestants for a £100 prize. We expected to be assailed, even overwhelmed, by rock'n'roll noises such as we have to turn off so frequently on our radio. Instead we found real musical talent showing through ..."


Blue Beaters give Britney some skank



An Italian ska band cover Britney Spears, and the Five Royales. Bouncy, good fun!

"Record Kicks proudly pres. The BLUEBEATERS! Active since 1994 with 4 Albums and several gold records under the belt, the Italian RockSteady-Soul giants are back with 2 brand new tracks. An explosive cover up of Britney Spears "Toxic" (yes that Toxic). On the B side northern soul stormer "Catch That Teardrop" by The Five Royales gets a bluebeat treatment too."

Release date is 22 September 2014 (digital and 45 vinyl).

Tuesday, September 02, 2014

Manufacturers struggle to keep up with vinyl revival

photo: United Record Pressing

The Independent report that "Manufacturers are struggling to keep up with the resurgence in vinyl records."
They say that turnaround for getting a record pressed is now three months. That sounds optimistic.

"... The world's largest vinyl producer, GZ in the Czech Republic, reported its busiest-ever day this year, pressing 42,000 in a day in February. The company has recently bought six ageing machines in an attempt to increase production, but is reportedly unlikely to get more than half working ...

...But the labels are facing a constant conundrum. “Do they press more than they originally need as it would take time to get a second run,” asks Record Store Day organiser Spencer Hickman. “Or risk it selling out, waiting two months for more and the interest waning? If you’re sending a band out on tour, timings are crucial.

“The problem is everyone wants colour, picture or splatter vinyl and it’s very time consuming to make."

I covered this a few months back, when local label Fishrider Records noted that vinyl pressing was now taking them 5 months, from UK/Europe pressing plants.

Monday, September 01, 2014

Skatalites return to NZ for three shows, this December


The Skatalites return to NZ for three shows in December, celebrating their 50th anniversary... their previous visits here were in 2010 (Womad), and back in 2006.

Press release: "It’s rare that a band can boast of this milestone achievement but THE SKATALITES are more than a band; they are an institution, made up of a collective of some of Jamaica’s finest musicians who not only defined the sound of ska in the 50’s and 60’s but influenced and inspired a number of generations and bands both on their own turf and around the world.

Named after a recently-launched Sputnik satellite in 1964, THE SKATALITES were officially together for only 14 months, but changed the shape of Jamaican popular music as chief proponents of the ska form, backing all the leading artists of the day, including a young Bob Marley, Alton Ellis, and Toots and the Maytals. Skatalites instrumentals such as Tear Up, (the original ska anthem), Guns of Navarone, (which also made the UK top 40), and Ball of Fire all topped the Jamaican charts.

After a hiatus the group reformed in the mid-80’s to a new and embracing audience, including a world tour as Bunny Wailer’s backing band and later for Prince Buster.

The band’s constant world touring has seen generations of new fans captivated by the now-legendary musicians which includes 9 of the finest brass, sax, horn and string players as well as the first lady of Ska – original vocalist, Ms Doreen Shaffer."



The Skatalites 50th Anniversary Tour
Friday 5th December, Kings Arms Tavern, Auckland
Saturday 6th December, Bodega, Wellington
Sunday 7th December, Churchills, Christchurch
Tickets on sale Thursday 4th September.

below, the Wailing Wailers, backed by the Skatalites....

Khun Narin’s Electric Phin Band



Via Innovative Leisure: "It all started over a year ago with a Youtube video caption "Mindblowing Psychedelia From Thailand" which lead a Los Angeles music producer named Josh Marcy down a Youtube rabbit hole in search of everything he could find on this mysterious band.

 Little did we know that months later, Marcy would leave his job to take on the quest of tracking down this band and travel to Northern Thailand to record them in a field. The result is a mindblowing 40 minutes of music over 4 songs.

Six months after that first encounter with Khun Narin’s Electric Phin Band, Marcy used Facebook and some un- likely interpreters at his local Thai restaurant to get in contact with the band and inquire whether they’d be interested in having him travel to their town to record their music for a global audience.

At first the band was naturally suspicious, but through subsequent interactions the group’s leader and namesake Khun Narin (also known simply as “Rin”) warmed to the idea of having Marcy come visit. And so began the journey of uncovering who these mysterious men from an obscure blog post actually were...."

Album out now, listen to it in full at Innovative Leisure.

"Like Ry Cooder did Buena Vista in Havana…but less moody adult contempo, more gonzo psychedelic punk style... The result is unlike anything else you’ll have come across this year. And possibly ever." - KCRW