Prince is giving away his new album with a UK paper - again. Read the Daily Mirror's interview with His Purpleness. (Also check their story on how Prince turned his life around)
"The internet’s completely over. I don’t see why I should give my new music to iTunes or anyone else. They won’t pay me an advance for it and then they get angry when they can’t get it.
"The internet’s like MTV. At one time MTV was hip and suddenly it became outdated. Anyway, all these computers and digital gadgets are no good. They just fill your head with numbers and that can’t be good for you."
Bob Lefsetz talks about Prince's comments here ('Prince's nonsense'), noting that , "You build your career online today, it’s almost as if Prince were railing against record shops in the eighties, when he broke through. If you weren’t in the shop, you don’t mean diddly squat, if you’re not online, you’re out of the discussion."
"Copyright law, as it now stands in the US, is at a real crisis..." DJ Spooky.
Via Crate Kings: "Alex Kreit, Nancy Prager, Andre Smith, Benjamin Franzen (director, Copyright Criminals doco) and DJ Spooky discuss the curious case of how Girl Talk has successfully utilised over 300 uncleared samples and somehow managed to avoid being sued by the copyright holders. A really interesting discussion for anyone involved in the creation of sample based music."
Franzen says his film concludes that "we're in a remix culture, and the law has not caught up to that culture..."
Copyright Criminals trailer below, see PBS site for more (also out on DVD). Check the George Clinton quote - "I got sued for sampling my own music". That is messed up.
Besides is the name of the album from Diego Bernal. out of San Antonio, Texas. Beautiful laidback jazzy beats. Check it out here at Bandcamp, some free downloads going too.
The following is taken from the latest issue of Wax Poetics, one of my favourite magazines in the world. Always great articles about music and musicians, and the stories behind many great records.
To read the rest of the article check out Wax Poetics #41. (Via Stonesthrow)
WOLF: About five years ago, I started “VJing” at my gigs using music video clips instead of records. I decided to go the video route during a tour I did with Madlib, DOOM, and J Dilla where I realized I was starting to DJ at more “performance-type” gigs than the dance-floor-oriented club ones I used to do. It was always something I wanted to do. Even going back to my childhood—decades before YouTube spoiled music fans around the world—I had to struggle to see the videos I wanted to see. As a child of the early ’80s and MTV during their “rock-only” era, I was always bummed that I wasn’t able to see videos from my favorite artists who were mainly doing soul, funk, and rap music. There was a Friday night show on the USA cable network called Night Flight that played cool stuff in the new wave/art rock genre and slipped in a few hip-hop videos here and there, probably thanks to Blondie and the Clash making it cool. On another local Bay Area show called Magic Number Video, I saw videos from the Whispers, Gladys Knight and the Pips, and Pieces of a Dream, but it was a rare treat to see a UTFO or Whodini or Fearless Four video. I’ve always listened to hip-hop, but as a kid, never got to see it.
Yellow Magic Orchestra “Computer Game” (1979)
This was probably the first electronic song I bought on record back in 1980, but I had no idea they made a video for it until recently. I was always fascinated with electronic music since I heard [Gershon Kingsley’s] “Pop Corn” in the first grade. Movies like Star Wars and video games like Space Invaders and Asteroids probably helped the sci-fi encouragement for me as well. Watching it now, I’m impressed by the special effects and graphics that were more elaborate than even Michael Jackson, who later became not only the King of Pop, but also the king of video budgets. I’m guessing this video with its take on Activision’s Laser Blast started their involvement with scoring videos games. I bought the Xevious theme song by them on vinyl on my last trip to Japan. I think they composed Dig Dug too.
Ariel Pink’s Haunted Graffiti “For Kate I Wait” (2004)
I was in Paris doing an in-store for Lacoste, and their head designer, Christophe [Lemaire], is a huge music fan. He’s one of the only guys I’ve ever met in fashion who really knows his shit and turns me on to music I didn’t know about. No Zoolander stereotypes with Christophe! After my set, he asked me if I liked Ariel Pink, and I said I never heard of him. I live in the Highland Park area of Los Angeles, and he told me, “He’s from L.A., like you, and makes great music.” He showed me some stuff, and I was instantly converted. About three weeks later, back in L.A., I was walking to the bank from the Stones Throw office and saw someone wearing an Ariel Pink T-shirt. I yelled, “Hey, where’d you get that shirt?” He said, “I’m Ariel Pink!” I’ve bumped into him three times on that same street since then. I still need a shirt, though.
LL Cool J “I Can’t Live Without My Radio” (live on Soul Train 1986)
Watching Soul Train episodes from the mid-’80s, you notice that when there were singers on, the crowd would politely dance along, but when they had rappers, the place would erupt. Everyone would jump and scream like it was Beatlemania. I think that’s the “H.E.R.” that Common refers to [in “I Used to Love H.E.R.”].
Jonzun Crew “We Are the Jonzun Crew” (1983)
I’m always gonna go to bat for the Jonzun Crew. I can’t believe how cheap their used records go for these days, or how crowds hardly ever respond when I play their songs—or this video. But I made my own Jonzun Crew T-shirt, and whenever I wear it, I get at least one compliment. The Jonzun Crew were right up there with Kraftwerk in my book when I was a kid. There’s a nice “before they were stars” cameo in this video by a very young, pop-locking Bobby Brown, who the Jonzun Crew later produced.
Some football madness from a gent called Blitz the Ambassador - the tune is called " Yɛ da mo ase (Ghana Black Stars)". Listen below, and download. "Blitz is a Ghanaian-born independent Hip-Hop artist who now resides in Brooklyn, NYC." See more here, and Myspace.
Rolling Stones, Dance Pt 1 Moto edit - hot stuff via Analog Giant. " Classic Rolling Stones 'disco' track from their 1980 album Emotional Rescue. Edited and added some; check the synth-break at 3:58... Enjoy!" Listen here.
Blundetto - Nautilus dub
Quantic - Westbound train
Phyllis Dillion - Woman of the ghetto
Leroy Sibbles - Express yourself
Upsetters - Popcorn
Soul messengers - Do it til you're satisfied
Bob Marley - Mr Brown
Brentford Allstars - Greedy G
Reality Chant and Lutan Fyah - Break loose again
Rhythm and sound - Ruff way
Dub traffik control - Bongo dub
K-Naan - T.I.A.
Orange juice - Rip it up dub (Dicky trisco edit)
Nona Hendryx - Transformation
War - Me and baby brother
Colman brothers - She who dares (Lounge mix)
Kendra Lou and the miracles - Be kind to your mind feat Red Astaire
Daru Jones and Kissey Asplund - Rat race
Jazzmine Sullivan - Need u bad - Moody Boyz remix
Black seeds - Slingshot -Truth remix (free download here)
Hopeton Lindo - Rudeboy
Elephant man - One chapter a day
Richie Phoe - Electric boogie
Paul Murphy - Soul call
E's E - Scratches skank pt 2
Womack and Womack - Teardrops
Shannon - Let the music play
Doug Carn - Suratal ihklas - Fulgeance remix
Sharon Jones and the Dapkings - She aint a child no more
Booker T and the MGs - Melting pot
Shirley Bassey - Light my fire - Kenny Dope remix
I'm a New Zealand-based musician, DJ, writer, graphic designer and pop culture fiend. This blog is my own views and opinions, and does not reflect the views of my workplace. Righto.
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