Thursday, December 02, 2010

Sweet latin soul


DJ Timber is an ex-Manchester fella, now based in Barcelona. Check out his Sweet Latin Soul III mixtape over here (download links). Listen below....




Tracks / Canciones:

1: Joe Cuba - Baby You're Everything
2: Eddie Lebron - My Vows To You
3: Orquesta La Solución - Te Quiero (I Love You) Part II
4: Los Exagerados - Contigo Aprendí
5: Johnny Colon - Looking In Your Eyes
6: Landy Nova - Quiéreme Mujer
7: Candido Y Su Movimiento - Baby Doll
8: Cheo Rosario - Tu Querer
9: Eddie Hernandez - The Time Was Yesterday
10: New Generation - Como El Agua Del Río
11: Manuel Y Sus Estrellas Combo - Palabras Vacías
12: Lebron Brothers - Tus Recuerdos
13: Sonora Ponceña - La Puerta Esta Abierta
14: Joe Bataan - Ordinary Guy

Hecho con 100% vinilo - ediciones originales!
100% Vinyl - Strictly OG Pressings

45s galore

This thursday night, get along to Real Groovy Auckland for a bonanza of 45s...

"In Auckland we have several large collections of singles just in. The first batch of the best, most collectible discs - OVER 2000 - will go on sale at 7pm sharp, this Thursday, December 2nd. As usual it will be a Dutch auction starting at $20 each and includes 50s/60s/70s/80s Pop, Punk, Reggae, Soul, RnB, Rock'n'Roll - you name it!"

London calling


Some bright spark has persuaded members of the Clash that it's a good idea to make a bio-pic based on the making of the London Calling album. It sounds like a perfectly dreadful idea, but hey, who knows. That Ian Dury movie turned out alright. Must get a copy of that.

The BBC reports that "former Clash members Paul Simonon and Mick Jones will executive produce the film, named after the 1979 record. Playwright Jez Butterworth will pen the script, which will tell how producer Guy Stevens worked with the band to create their most celebrated disc. It will be produced by Alison Owen and Paul Trijbits of Ruby Film and Television.

"Fans of The Clash all over the world have been waiting a long time to see their extraordinary story played out properly and accurately on the big screen," said Owen. "We're happy that Mick and Paul have given the project their blessing and are on board to help steer the ship."

Bonus: Read Perfect Sound Forever on the making of the Clash song Train In Vain, a last minute addition to the London Calling album. Excerpted from the book Route 19 Revisited: the Clash and London Calling.

Wednesday, December 01, 2010

Hello, Holland!


U2 and Jay-Z blew through town last week, and jetted off to Oz - I went along and enjoyed the spectacle, my review is over here. Their U2 360 tour winds up next July.

By then, according to this NZ Herald story, they are expecting "it will have generated about $1 billion in revenue." This would be great news for cash-strapped Ireland, except U2 pay taxes in Holland. Bummer, Ireland.

Mark Thomson kindly sent me a link from the New York Times which backgrounds the shift to Holland as a tax haven.  It's titled The Netherlands, the new tax shelter hot spot. U2, the Rolling Stones, EMI, Elvis Presley's estate and David Beckham also use the Netherlands now.

U2 shifted their publishing to Holland last June, as Ireland's lucrative tax breaks were about to be removed. The NYT says U2's net worth is around $US908 million.

The NZ Herald's Adam Gifford went along to the U2 show as a guest of one of the technology companies involved in the show. Some facts and figures... "the Clair sound system is billed as the largest speaker assemblage in touring history...

...On previous tours U2 cancelled shows because of weather damage to video screens. The 500,000 LED pixels in the transforming screen are weather resistant, and they're made up into elongated hexagonal segments mounted in a way that allows them to spread apart with a scissor-like motion during parts of the concert..." There's 14 cameras providing live feeds for the video screen.

"The tour's architect, Mark Fisher, told CNET News that ... the technology behind U2 360° isn't new, the way it's being used is, from the large number of computers and electric motors that control the motion of the screen and the moving lights to the computers that map the video picture on to the transforming screen. "All of this automation and programming is possible because the computers available in 2009 (when the tour started) are more powerful and cheaper than they were when we created the Vertigo tour in 2005," Fisher said.

Gil Scott Heron gets XX'd



Gil Scott Herons' recent album I'm New Here is an outstanding piece of work. So it's pretty brave of Jamie Smith of The XX to undertake to remix the WHOLE album. The project is titled We’re New Here, and will be released as a CD and special vinyl box set on February 21 next year. It sounds like a radical departure from the original tracks based on the preview, which just might work. Listen to previews on the official site here.

Sounding off

A review of NZ On Air's music activities has recently been completed by music industry veteran Chris Caddick, and has been delivered to NZ On Air. I believe it will be released in the next week or so.

Caddick wrote a previous review for NZ On Air of their offshore funding activities (see Phase 5 PDF here), which boiled down to 'send more bands to Australia, forget the rest of the world'. This absurd attitude was what Flying Nun bands faced from our music industry in the late 1980s when they said they wanted to go to England. It's utter rubbish. To date this new funding push has produced no visible returns for our acts in Australia.

Rob Mayes of Failsafe Records has very definite opinions on what NZ On Air should be doing with its music programmes (and has expressed them fervently numerous times on the Public Address forums). He's written a discussion a paper on it, which collects a range of views on the subject, mostly disparaging. You can download the PDF of the paper here. He's also got a Facebook group, Sounds Like Us.

I posted a link to Rob's paper on Twitter and had some interesting feedback on it, mainly along the lines of some good points mixed with some personal jibes.

Mayes' FB group lends its name to an article written back in May during NZ Music Month by Vicki Anderson of Christchurch paper The Press. The article was critical of NZ On Air's role in our music scene. She published a full, unsubbed version of her article with Brendan Smyth in August (according to the date on Stuff.co.nz)  -the full version is here. Jane Wrightson, CEO of NZ On Air joins in on the comments also.

EXCERPT: "I ask Smyth why South Island musicians are under-represented in the funding allocation. This year, 83 grants have been awarded, only four of which went to South Island-based artists. We pay taxes too.
" Perhaps their songs just weren't good enough?'' Smyth says.
We stare at each other for a moment or two. For a fleeting second I can understand the urge someone else had to wrestle him to the ground...."

Not a very pleasant sentiment coming from any writer, really.....

Andrew Dubber sent me a link to an article he wrote for a UK audience on NZ On  Air - read it here (PDF). As Andrew notes, It's a few years old now but still relevant.

ADDED Vicki Anderson's original Sounds Like Us article is here. "At an industry gig late last year, one of the [NZOA] head honchos went to shake my hand as my name was being told to him by a third party. He pulled it away so fast he caused a breeze. "Oh, it's you, you wrote that story about us," he said, turning around rather deliberately, so I was left staring at his blue-suited back..."

ADDED Hugh Sundae posted a link to a story he did on TVOne's Closeup in 2005 on Phase 4 NZ On Air funding.  As Hugh says in the comments..."I remember receiving some very upset emails/calls the next day.. and I thought it was rather tame."

Lemmy is a SOB

There's a new documentary out early next year on DVD on Lemmy from the band Motorhead, and is currently doing the rounds of some film festivals. The documentary is called Lemmy: 49% Motherf*cker. 51% Son of a Bitch. The film comes to US theatres this January and DVD (with four hours of bonus features) is out February 15 (US) or Jan 24 (UK).

Watch the trailer below. Contains swearing. Lots of it.

Pants

Stonesthrow artist James Pants, sounds like he's channeling Bill Haley via Suicide on this tune - free mp3 below - listen and DL.

Zodiac digitised

About a month ago I heard some mighty exciting news, and it's finally seen the light of day. Amplifier/DRM announced late yesterday that they have signed the Zodiac label for digital distribution. They will be digging through the Stebbings vaults.

Now, if you take a look at Simon Grigg's discography of Zodiac's 45s (which is an incredible piece of work), you'll see there is some amazing Kiwi music in there. It's almost the audio equivalent of Chris Bourke's recent book, Blue Smoke: The lost dawn of New Zealand popular music 1918-1964.

There's names like The La De Das, The Keil Isles, Peter Posa, Claude Papesch, Daphne Walker, Ray Columbus and The Invaders, Sonny Day and The Sundowners, Tommy Adderley... I really hope they get the rights to Rim D. Paul And The Quin Tikis - Man River / Poi Poi Twist (from 1963) cos I love Poi Poi Twist. It's a great NZ rock n roll hybrid that deserves to be more widely heard. I've got a different version, by the Maori Hi-Five - but I need to hear this one!

Tuesday, November 30, 2010

Funky Christmas


There's a million crappy CDs you can play at christmas time - this is the antidote. In the Christmas Groove dropped last November on Strut, and now it's coming out as a 2LP set. The cover is a cheeky twist on a James Brown record.

"Following in the footsteps of classic Christmas albums from the Motown stable and James Brown, Strut released the first ever Yuletide compilation on the label in November 2009, IN THE CHRISTMAS GROOVE, featuring 12 rare soul, funk and blues cuts rediscovered from Christmases past.

In November 2010, Strut makes the compilation available as a super-loud 2LP gatefold for the first time, featuring the album’s original sleeve notes by James Maycock of Mojo magazine. For the digital version, we add two new and exclusive tracks, ‘Back Door Santa’ by Amsterdam’s finest analogue funk fiends, Lefties Soul Connection, and a neat twist on the JB classic, ‘Santa’s Got A Brand New Bag’ by Gary Walker & The Boogie Kings." Audio previews here