Their debut for Bastard Jazz is a trip through the mellow synth-jazz hip-hop style they’ve become known for.
The EP kicks off with “Kosmichemusik”, a chugging joint with humming bass, gritty drums and well polished glimmering synths setting the mood proper. Next up, “It Gets Good” features Vancouver mainstay MC and renaissance man Moka Only spitting mellow Sunday-morning style rhymes over Potatoheads deep and moody hip-hop vibes, while “Blossoms” features Canadian vocalist and frequent collaborator Claire Mortifee providing gorgeous, quirky vocals over a bubbling, bouncy track with subdued bass, guitar and Rhodes weaving themselves in.
The EP kicks off with “Kosmichemusik”, a chugging joint with humming bass, gritty drums and well polished glimmering synths setting the mood proper. Next up, “It Gets Good” features Vancouver mainstay MC and renaissance man Moka Only spitting mellow Sunday-morning style rhymes over Potatoheads deep and moody hip-hop vibes, while “Blossoms” features Canadian vocalist and frequent collaborator Claire Mortifee providing gorgeous, quirky vocals over a bubbling, bouncy track with subdued bass, guitar and Rhodes weaving themselves in.
Next up, “Love Hz” is an instrumental cut with crispy drums, ghostly vocal stabs, a catchy bubbling bassline and pulsing keyboards, while “Back To My Shit" is a lovelorn tale of breakup and redemption featuring the rhymes of Detroit's Frank Nitt (Frank'n'Dank, J. Dilla) with very catchy yet deep synth-heavy production from the Potatohead People. The EP rounds off with “Journey”, an expedition the deeper realms of beat music with subaqueous synths, lifting strings, and neck-snapping drums.
Bastard Jazz will also be releasing a limited edition 7” from this project featuring “Love Hz” and “Back To My Sh*t” on Valentine’s Day for all the heart-breakers and/or broken hearted."
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