Tuesday, January 25, 2005



ARE WE THERE YET?

... is the latest film from Ice Cube, and its opening weekend topped the US box office, taking in $US18.5 million. Check the trailer here - Steriogram's song 'Walkie Talkie Man' features on the soundtrack. The video for that song by Steriogram is up for a Grammy Award - its directed by Michel Gondry, who also directed the excellent film Eternal Sunshine of the Spotless Mind. The script is by Charlie Kaufman (Being John Malkovich, Adaptation) and I think it's easily as good as John Malkovich. Check it. But it does feature Jim Carrey, which is okay, cos he's not pulling silly faces, he's acting and he's really quite good. I used to think he was crap til I saw the Truman Show.

Another Kiwi, expat Alan Broadbent is up for his third Grammy nomination in Best Jazz Instrumental Solo, for his jazz recording What's New off the album 'You and The Night and The Music' released by A440 Music Group but there aint even a bio or any news there about his Grammy nomination there, which is weak - BAD record company! (Scratch that - I emailed them and just got a reply apologising for the oversight, and saying they will correct this mistake immediately. Good.)

Broadbent left Aotearoa in 1966 to study at Boston’s Berklee College of Music, graduating in 1969, alongside Howard Shore (who later went on to work as LOTR composer) . Berklee have a handy little press release highlighting all its graduates in this years Grammys (39 in total) - from Melissa Etheridge to Bob James, John Mayer to Mr Broadbent.

"In 1997 Broadbent won a Grammy for his arrangement of “When I Fall In Love” for Natalie Cole. In 2000 he earned his second Grammy Award for best arrangement accompanying a vocal for “Lonely Town”, which he wrote for Charlie Haden’s Quartet West featuring Shirley Horn and strings." He's currently musical director for Mrs Elvis Costello - Diana Krall. Costello is off making an opera based on author Hans Christian Andersen's impossible romance with a Swedish woman. Gee. The Grammys are on February 13th.


'The Tsunami Song' controversy has been spinning round the hiphop blogosphere for a few days now, it's probably gonna hit the mainstream media any minute now. New York hiphop station Hot 97 played it on their morning show... The New York Post has picked up the story... "A popular hip-hop radio show is in hot water over a parody that mocked victims of the South Asian tsunami catastrophe, calling them "screaming chinks" and "little Chinamen." The station's apology is up here.

Jay Smooth has more background over here, plus audio of the incident. "On this tape you hear them introducing the "Tsunami Song," then Miss Jones and co-host Todd Lynn launching into an abusive tirade against Miss Info when she voices her objection to it. Miss Jones finally tells Info she's only complaining because "you feel superior, probably because you're Asian." Then, after Miss Info has said the song is offensive to Asians, co-host Todd Lynn informs her: "I'm gonna start shooting Asians." Yes, he really says that. It's at 3:37 on the mp3."
Have a listen, it's just incredibly stupid. The tune they use is... oh, just listen.


Dubber has some comments from Bomber (a man never short of an opinion!) on the changes going down at Channel Z, as it mutates into Kiwi FM.


"Greg Tate set it off a couple weeks back with his article about hip hop at 30. Now his contemporary Nelson George jumps into the fray with a look back at hip hop's development and 25 moments that defined the music." via Different Kitchen.


ADDED: Vote for Bizgirl at the Bloggies! Via Noizy... "
For some unfathomable reason, bizgirl has made the shortlist for the NZ/Australian section of this year's Bloggies. As far as I can see, Natalie is the only NZ finalist in any of the categories (the rest of the NZ/OZ category short-list is Australian-based). So, yes, if you're feeling all patriotic (and are, in fact, a New Zealander), or are just a bizgirl fan, get on over there and vote."

1 comment:

Simon said...

I'm trying to remember the exact moment when Elvis Costello stopped being a fun twat and became a pretentious twat..was it all those country records that we though were fun but perhaps he was actually serious about, or King of America when he decided he was roots..probably the Juliet Letters was the marker but Spike was indicative of the lost soul..just thinking aloud. Ballets and Operas for gods sake