Sunday, May 31, 2015

Don't give me culture: Taxing times for music fans

Rip It Up, May 1980

Audioculture, the website that calls itself the noisy library of New Zealand music, celebrates its second birthday today. I have had the pleasure to be involved as a writer for this site since its inception.

It has developed and evolved in amazing ways, with all sorts of incredible stories, photos (many previously unpublished) and visual material coming to light. I'm delighted to get the chance to write stories for the site.

The latest one I've done is on the infamous sales tax on music, that troubled the music scene here in the late 70s and early 80s. It was most often associated with Prime Minister Rob Muldoon.

Russell Brown recalls that time on his Hard News blog: "Unless you happened to be a Young Nat – and frankly, a few of them were probably wavering – to be young in late 70s and early 80s New Zealand was to be set against Prime Minister Rob Muldoon ... a key cultural factor was the punitive 40% sales tax on recorded music.

Ironically, as Peter McLennan points out in his fascinating new Audioculture story on the tax, it wasn’t Muldoon’s doing. Although he defended it with a peculiar contempt, the 40% sales tax was the work of the preceding Labour government, which reasoned that records, even if they were pressed here, were imports, because the royalty component largely went offshore. 

It was Labour, too, which axed the tax. It was cut from 40% to 20% in Roger Douglas’s first Budget ... they even taxed the turntables. And the tape decks, to the princely tune of 56%!"

Chris Knox comic, The Listener 1984

One of the amusing parts of researching this story was digging thru Parliamentary transcripts, and finding gems like this:

When the 1984 Budget was tabled, Muldoon started in on the increase on the tax on alcohol ...

Muldoon: “Although this bill taxes liquor at about twice the increase the National Government had in mind, it does give a savage blow to the wine industry, and quite a light tap to the brewers."
Prime Minister David Lange: "A light tap is quite a nice drop."
Muldoon: "Yes, and nothing at all to those who drink water, as the Prime Minister does."
Lange: "I commend water to the Leader of the Opposition."
Muldoon: "I use it for its proper use – washing."
Lange: "No one would guess."

and this exchange, which closes, my article:

On Tuesday, November 13 [1984], a few days after the Budget had been passed, the post-Budget debate resumed in Parliament.

Muldoon: “... Last night the Prime Minister and I were both at the music awards. The Prime Minister was greeted as a hero, and he had a little quip … he said that taxes were like clothes: they were more fun to take off than to put on. There was loud applause. It was an upbeat quip. 

"Taking the tax off records is good for young people, but putting up the price of milk by $30 million is bad for babies. The Government has taken the tax off records and the subsidies off milk. What kind of caring Government is that?”

Lange's reply didn't make the cut for the online piece, but I can report his response was to point out that during the 8 and a half years Muldoon was Minister of Finance, the price of a bottle of milk increased by a staggering 675%.

Saturday, May 30, 2015

Ring The Alarm playlist, May 30



Angela Blofill - People make the world go round
Myron and E -Do it do it disco - Tom Noble remix
Orange Juice - Rip it dub - Dicky trisco edit
ESG - Moody (spaced out)
Dubblestandart - Terrarist and inhalers - Keith le Blanc remix
Farm fresh sound system - Roots once again - Max Rubadub remix
Michael Rose - One a we, two a we
Taxi gang - Soul limbo
Willie Hutch - All-American funkathon
Kool and the gang - Jungle boogie
Bobby Angelle - There goes my baby
Jean Knight - Carry on
Chester Randle's soul senders - Soul brothers testify
Nicole Willis and the soul investigators - Paint me in a corner
The Perfections - Why do you want to make me sad
Esther Phillips - Catch me i'm falling
Four Tops - Look out your window
Chi-lites - Give more power to the people
Donald Byrd - Love's so far away
Aaron Neville - Hercules
Dizzy Gillespie - Matrix
Allen Toussaint - Get out of my life woman
Dick Hyman - Give it up or turn it loose
Manasseh  - Mooch dub
Big youth -Waterhouse rock - Groove corp remix
Marcia Griffiths - Electric boogie - Dub 1
Dynamics - Rockit
Skatalites -Beardsman ska
The Wailers - Put it on
Jackie Mittoo - Hot milk
Cedric Im Brooks - Mun dun go
Jacob Miller - Westbound train
Lloyd Williams - Reggae feet

Monday, May 25, 2015

Mix: 45s galore



I've been picking up a ton of 45s lately - scored some cool soul 7s off DJ Sirvere at The Other Crate record fair last Saturday. Here's a mix of a few of em. Old ska, reggae, northern soul, gutbucket blues and r&b. And some Bo Diddley. Can't go wrong with some Bo.

Saturday, May 23, 2015

Ring The Alarm playlist, May 23



Clarence Reid - Masterpiece
Rare function - Disco function
Amanda Ambrose - I aint singing no more sad songs
Soul generals - Grandma's funky popcorn pt 1
Linda Lyndell - What a man
BB King  -Think it over
Billy Stewart - Billy's blues pt 1
Mystiques - Put out the fire
Earl Zinger - Song 2
Jackie Mittoo - Chinese chicken
The studio sound - Give me some more
Groove armada - Tuning in - dub mix
Grace Jones - Feel up - extended version
DJ Day - Land of a thousand chances - Lord Echo remix
Unitone Hifi - Sneeze off
DLT feat the Mighty Asterix - One love
Jody Watley - Friends - extended version
Nick Waterhouse - This is a game
Jackie Ross - Selfish one
Garnet Mimms - Prove it to me
Wabine - Sail on
Frank Ferrer - Hallelujah
Nightmares on wax - Survival
Henri Pierre Noel - Fifth of Beethoven - Reflex reversion
Sylvester - Rock the box - dub version
Souleance  -BBQ and Pimms
Tall Black Guy - I feel good
24 Carat Black - Ghetto: Misfortune's wealth
Breaks Co-op - Sound advice inst
Idris Muhammad - Superbad

Wednesday, May 20, 2015

NYC DJ John Morales (M+M) plays Akld this Saturday


From Special Needs Agency: "DJ John Morales was born in the Bronx, New York and has been involved in the creation of hit records for the better part of 30 years, playing at spots like Stardust Ballroom, Pippins, Bentleys, Limelight and the infamous Studio 54.

Like many DJs of the 70s, John ventured into the studio more through need than necessity, making medleys and remixes because the records in those days were too short and being a DJ, he needed to get more out of the records he was spinning.

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by his work.


Morales is a versatile DJ who plays disco, soul and funk - many edits of his own mixes from M+M mixes back in the 70s and 80's. John also has been playing house sets and has been doing very well around the world. Check his website here for more info on this living NYC Disco Legend - www.johnmoralesmix.com

Playing Saturday 23 May 2015 at Society & Nook on Exchange Lane in downtown Auckland. With local support DJs – Murry Sweetpants – Nigel Love – Ange.

Earlybird, GA & VIP Tickets available now via www.iticket.co.nz/events/2015/may/john-morales-nyc

Richard Marks: Never Satisfied anthology drops



New from Now Again: "Legendary soul and funk artist Richard Marks from Atlanta died of cancer in May of 2006, never having issued an album, or ever granting an interview.

Seven years in the making, Never Satisfied is Now-Again’s 21-track anthology of Richard Marks' recordings. This follows his stylistic development, from his earliest work for Tuska (c.1968-72) through his more mature releases on Shout and smaller regional labels."



Tuesday, May 19, 2015

Afrobeat legend Dele Sosimi - new album




"Wah Wah 45s are very proud to present You No Fit Touch Am, the first full-length album in almost a decade from vocalist, keyboard player, Fela Kuti collaborator and afrobeat legend, Dele Sosimi!

The title is an uncompromising message that this man means business, and with his mammoth afrobeat orchestra on board that is definitely the case. Recorded at the Fish Market Studios in North-West London by Benedic Lamdin (AKA Nostalgia 77) the album provides a musical representation of Dele’s strong socio-political opinions, as well as delivering classic song-writing that could have come straight out of 1970s Lagos!

Born in Hackney, East London, but soon to return to his parents’ native Nigeria at the age of four, Dele Sosimi was schooled and raised in Fela Anikulapo Kuti’s shadow at the height of early 70s afrobeat. Having been chosen by Fela to join his band at somewhat of a tender age, he was still a young man when sharing Fela’s Glastonbury stage in 1984, and became both Musical Director for both Fela’s Egypt 80 and Femi Kuti’s Positive Force.

After Fela’s passing in 1997, Dele went on to concentrate on his own solo career and, with diligent patience, carved out his own afrobeat crown. In London, where he now resides, his Afrobeat Vibration all-nighters are charged with his passion, labours and his unrelenting spirit.

Following on from his first two studio albums, Turbulent Times and Identity, this third long-player is sure to cement Dele Sosimi’s position as a major player within afrobeat and beyond."

Saturday, May 16, 2015

RIP B B King

BB King, 1960. Photo: CloserWeekly
Came across this cool piece from NYC DJ Jonathan Toubin...

"When BB Kiing was in a low point in his career (1985?) I went to see him at a little club with my father, who likes to joke that our table was so close he could touch his shoe without getting up.

I just remember the hugeness of his stature, his sound, and his personality. into my teens my tastes moved away from BB and towards rawer blues. as BB became more popular throughout the 1990s and had his club chain, fast food ads, etc, he came to represent to me a slick commodified blues establishment that had nothing to do with why I like the music.... but I was wrong about BB King and when I became a dj (and older!) I realized how ignorant I was. there's so much more to the man than his popular late 60s/early 70s stuff. 

He was so talented and had so many jams over so many eras! and lots of em move enough to turn on a dance party! if you're not hip to his unsung material I put links to my big three BB King dj jams three on Facebook: "think it over," (thanks @primopreems!), "my baby's' coming home" and "bim bam" - those represent late 60s, early 60s, and late 50s sounds respectively - but you should even go earlier also! 

When he wanted to rock he could do so with the best of em! BB King is such a towering contemporary cultural figure that we forget that he was a 1940s bluesman (or if you'd rather, he was already getting lessons from bukka white and playing around Mississippi as a young teen in the 1930s!) - rolling through hundreds of gigs a year for decades deep into the 21st century. 

In that sense you could say he was one of the last active living breathing physical links to 1930s Mississippi blues - the mythical time and place and music culture that represents the best things about American music and is the root of so most of yr best stuff ever - yet still remains so murky and mysterious. he was literally a bridge across decades and millions of miles to all of us! the end of an era! r.i.p."



Ring The Alarm playlist, May 16



Fela Kuti - Egbe mi o - Hober's carried on dub
Monophonics  -Strange love
Bobby Womack - Find me somebody
Sidney Barnes - You'll always be in style
Ron Moody and the Centaurs  -New breed
Side effect - Georgy porgy
Bohannon - Do the everybody get down
David Batiste - Funky soul pt 1
Herbs - Meteli
Mephisto Jones - Chocolate hot sauce
Joe Dukie and JD Fitchie - Midnight marauders - El Head version
The Nomad - Look around
Three generations walking - Midnight bustling
The Specials  - A message to you Rudy - Bombs edit
Derrick Morgan - I'm the ruler
Derrick Herriot - The Jerk
Desmond Dekker - It mek
Lord Echo - Bohemian idol - DJ Day's chair bro remix
Mr Chop - The world is yours
Lee Feilds and the expressions - Just can't win - Bacao steel remix
James Brown - There was a time -Kenny Dope remix
Lyn Collins -Do your thing
AABB - Picking up the pieces one by one
Ramsey Lewis - Back in the USSR
Third coast kings - Ice cream man
Eddie Bo - The thang pt 2
Ernie K Doe -Here come the girls
Little Richard - Nuki Suki
Jan Bradley - Momma didn't lie
Luther Ingram - Baby don't you weep
Joe Quijano - Fun city shingaling

Thursday, May 14, 2015

Lord Echo vs DJ Day, new 12"

Lord Echo vs DJ Day 12 inch white vinyl

Brand new from Bastard Jazz, featuring our own Lord Echo... "Soundboard maestros Lord Echo and DJ Day link up across oceans to trade remix duties on each other's top tunes, flipping the pair onto a heavily dubbed out Double A-side single pressed up on frothing white vinyl in a custom die cut classic disco sleeve.

California dance-floor champ DJ Day gives Echo's iconic "Bohemian Idol" a 1980s drum machine reggae vibe and lets the delay run wild, while New Zealand's analog maverick Lord Echo transforms Day's "Land of a Thousand Chances" into a live disco dub studio jam session." Listen below:


Wednesday, May 13, 2015

Soulfest returns, 1st acts announced




Soulfest debuted on our shores late last year and proved to be an exciting addition to our music festival calender, with many great acts rocking the day.

It will be returning again this October, with a strong first lineup announcement featuring..... Mary J. Blige, Jill Scott, Jhené Aiko, Charlie Wilson, De La Soul, Talib Kweli, Dwele, Floetry, Eric Benet, Kamasi Washington, and BJ The Chicago Kid.


ADDED 2nd lineup announcement: Lauryn Hill, Black star, Jazmine Sullivan, Miguel. 

TOUR DATES AND TICKET DETAILS:
Monday 26th October (Labour Day holiday)
Western Springs Stadium
www.ticketmaster.co.nz and www.eventfinda.co.nz

From the press release: 
TICKETING DETAILS:
SoulFest Members Pre-Sale: Monday 18th May, 10am or until exhausted
General Public On-Sale: Wednesday 27th May, 10am
Tickets from www.SoulFest.co.nz

TICKET PRICE AND CATEGORIES:
Platinum VIP Club (Limited Capacity) - $327.00 (First Release until sold out)

Ticket features include:
Access to an exclusive purpose built marquee with the best unobstructed views to the main stage
Private full bar service
Express VIP lane entry 2 x complimentary drink vouchers & 1 x complimentary food voucher
1 x Exclusive SoulFest Tour T-Shirt Voucher (Redeemable at the show)
Free entry into the official After Party in your City
Hostess service and exclusive tour lanyard
**Please see www.SoulFest.co.nz for exact positioning of VIP area in each venue prior to purchase**

FIRST RELEASE PRICES:
General Admission: $147
VIP Front of Stage: $187
Platinum VIP Club: $327

SoulFest is pleased to introduce a part-payment ticketing system where our ticket buying friends can choose to pay their ticket off fortnightly. See www.SoulFest.co.nz for further information.

Dance til dawn, well, 4am anyway

photo: Stuff events

Auckland Council today heard the provisional Auckland Council Local Alcohol Policy (LAP) – Hearings Panel recommendations and voted to approve them. They have extended the club hours beyond their original 1am suburbs/3am city closing times.

Radio NZ reports that "Sales at off-licences and supermarkets are being reduced to 12 hours a day - between 9am and 9pm [currently 7am-11pm].

Opening hours for bars and on-licences in the city will remain until 4am while, outside of the city centre, the closing time will be 3am.

The policy also introduces a two-year ban on new off-licences in areas deemed most at risk of alcohol harm."

The Council's original proposal, prior to public consultations and submissions (2,600 of them) last October, was for 3am closing for inner city and Ponsonby, and 1am closing for suburban bars with off-licences limited to sell alcohol to between 9am and 10pm, including supermarkets.

Given that "off-licences sell 40 times more alcohol between 9 and 10pm than bars/nightclubs do between 3 and 4am in Auckland" (source; "Restriction on Hours of Trade for Alcohol Licensees in Auckland" - Economic Impact Assessment for Auckland Council, 2013), the Council's decision to restrict their hours to 9pm seems like a good one.

The next step will be for the Council to hear any appeals (expect the supermarkets to weigh in), before this comes into effect.

More: Tell the new prohibitionists: dancing is good for you! (Aug 2014)

Monday, May 11, 2015

Pains People new EP



Some cool new music from Johnny Pain (Hallelujah Picassos, Nudie Suits), have a listen

Saturday, May 09, 2015

Ring The Alarm playlist, May 9



Wild Magnolias - Battlefield - Joe Claussell parkside lounge remix
Al Green - Love and happiness - Shoes edit
Jones Girls - Hey Lucinda
Shannon - Let the music play
Pete Shelley - Homosapien - elongated dancepartydubmix
Round four feat Tikiman - Find a way
Ackie - Call me Rambo
Supercat - Don Dada
Phyllis Dillon - Rocksteady
Paragons - Tide is high
King Everand - Kill ole pan
Ragga twins - Shine eye
Smokey Robinson and the Miracles - Going to a go-go
Carleen and the Groovers - Right on
Mitch Ryder and the Detroit wheels - Breakout
Erma Franklin - I get the sweetest feeling
Margie Joseph - One more chance
Alice Clark - Never did I stop loving you
Keith Mansfield - Morning Broadway
Willis Jackson - Nuther'n like thuther'n
Flaming souls - Mosquito
King Sunny Ade - Synchro system
Manu Dibango - Big blow
Jackie Stoudemire - Invisible wind - Shoes edit
Funky lowlives - Bellaluna - Boozoo Bajou remix

Friday, May 08, 2015

Saun & Starr - Big wheel video, album out May 19




Looking forward to this gsoul gem: "Following their 2014 breakout single "Hot Shot"—Daptone's most successful 45 release—longtime Sharon Jones & the Dap-Kings backing singers, Saundra Williams and Starr Duncan-Lowe, (known as Saun & Starr) are set to release their debut full-length album, Look Closer, on May 19th.

Look Closer was produced by Gabriel Roth and recorded with The Dap-Kings at the House of Soul studio in Bushwick, Brooklyn in 2014. Preorder the album here: http://radi.al/SaunAndStarr

Here's some background on Saun and Starr, who first met Sharon Jones in a wedding band in the 90s - there's a pic of that band in the clip too. 


Wednesday, May 06, 2015

The Other Crate Record Fair, on May 16



The Other Crate Record Fair16th May 9.30am-2.00pm, gold coin entry. 
On at 8 Drake St (behind Victoria Park Market) , Allpress Gallery, Freemans Bay.

Tuesday, May 05, 2015

Music fan collected every UK chart song since 1952. That's 27,000 sevens



"Single-minded Keith Sivyer bought every new release that entered the UK single charts since their inception in 1952 until his death in February aged 75.

Every week, without fail, Keith visited his local record shop with a copy of Music Week and bought the latest songs that had entered the top 40 before going home and adding them to his archive.

After his death his younger brother, Gerald, was left with the daunting task of finding a new home for the collection.

He found approximately 27,000 7" vinyl singles and 8,000 12" singles neatly filed in alphabetical order on purpose built floor-to-ceiling shelves that covered the four walls of Keith's lounge.

More than 10,000 CD singles from the 1980s to present day also filled up a spare bedroom of his modest home in Twickenham, south west London."

So, what is that many records worth?

"The collection has been divided into three lots for the auction, with the 27,000 seven inch singles conservatively estimated at £6,000, the 8,000 12 inch records at £1,500 and 10,000 CDs and cassettes at £600.The sale takes place on May 21."

Telegraph: Record fan collects every UK chart hit in history

Monday, May 04, 2015

Tiki Taane vs X-Factor NZ

Tiki Taane (via Facebook)

Musician Tiki Taane posted this message on his Instagram on Saturday, attacking X-Factor for using his name to imply he was on the show, when this was untrue.

"Dear The X Factor NZ,

Please stop exploiting my name & brand to advertise your show on TV3. I do not want to appear on your show as a mentor, and as I clearly said in the emails...

"I have some issues around the integrity of the show itself & being an independent artist I just wouldn't feel right about being on a programme that promotes the exploitation of its contestants by the corporate monster that is Sony."

I am happy for your contestant to perform my song and I wish them all the very best. But please refrain from fooling the public, especially my fans, that I will be appearing on the X Factor NZ show.

Thanks to everyone who has alerted me of the situation.
On behalf of myself and Tikidub Productions, we hope this helps clear up any confusion.

"Free the music, free the art"
*tiki*

----------------------------------------------------------------------------------------

X Factor mentoring notes from Tiki Taane.

- Make sure you read the contract very carefully as your rights and control are virtually non existent.
- Be prepared to be a puppet in the Simon Cowell and Sony money making machine.
- Be prepared to have your artistic freedoms squashed and be forced to work with certain producers to make music that you don't even want to make.
- Be prepared to be locked into a fools contract for many years in which you can not escape, leaving you frustrated, angry and resentful.
- Be prepared to be spat out and left to dry because your single / album / image is not selling enough units to feed the Simon Cowell and Sony money making machine.
- Be prepared to be surrounded by fake, ego blowing industry vampires that will suck your soul for all its worth.
- And lastly, I wish you all the very best on your journey. If you ever need real advice then we at Tikidub Productions are always here to help and we will always tell you how it is. Kia Kaha!" 


Earlier today, musician Taane followed up that with the below message and the above photo on his Facebook page.


"Dear Lynley Bilby from The Herald,

I just read your Sunday article about all this Tiki Taane & X Factor drama and even I was yawning! 

I can't believe you let a perfect opportunity go to waste when you should've gone in deep about the workings of one of the worlds most corrupt TV shows. Surely you could've followed up with interviews from past X Factor contestants who "mysteriously" had to leave the show? I'm sure everyone of them has a story to tell, one that will shock the public as to how they had to sign away virtually all their rights and control to Simon Cowell or Sony if they were to progress further within the show. 

Are there any journalists within the Herald who have the balls to go deep on this topic and actually write something worth reading? If so please stand up!

Ok Lynley Bibly, back to your article at hand. 

Firstly who is this Rachel Lorimer lady the spokesperson for MediaWorks, whom I've never met or talked to? And what is this woman on about by saying "after Taane failed an audition to be a judge on XFactor he declined to be a mentor." 

For the record everyone, about 3 years ago I was invited by producers from TV3 to meet up & talk about a top secret TV show that was coming to NZ. They explained to me that it was X Factor & asked if I'd like to audition to be a judge, to which I said "yeah why not". 

We did a little simulation of a judging scenario and that was that. Afterwards I asked some questions about my concerns surrounding the show, mainly to do with the contestants rights, and from there I did more research about X Factor and quickly realised that this wasn't a job for me. Incidentally I know of about 6 other people who also went through that same interview process.

The job in question went to the incredibly talented Stan Walker who I think is best suited for the roll as his career was launched off a similar show called Australian Idol. Stan is the friggin man! Can sing like an angel & has a beautiful spirit. (Don't worry bro, my beef has nothing to do with you - peace).

Another point I'd like to make is that X Factor ran 2 promos that included my name & brand without my consent. The main one that pissed me off went like this, “some of our biggest homegrown artists giving their advice to the final five…” .. then cuts to a list with the name TIKI TAANE at the top, which does imply that I will be on the show. Even Andrew Szusterman the X Factor Executive Producer said in an email to me that, "It is ambiguous as to your point".

Now the silly thing is, all this drama could've been avoided if the X Factor actually listened to my simple request. But they didn't, so I stood my ground and released the X Ploiter letter on Saturday.
You see im just an independent artist who is standing up for his artistic rights, against the exploitation from a multi million dollar corporation. I represent myself, managed by myself and my amazing sister, work extremely hard at my craft and try my very best to protect what is mine.

I've told the truth as I see it and it's obviously hit a nerve within the industry. I definitely won't be invited to Simon Cowell & Sonys Xmas party but that's ok by me. And I will probably never get promotion from The Herald & TV3 ever again, but that's also ok by me. You see for some people my comments will be a hard pill to swallow but judging by the massive amount of support I've received its been very liberating for most.
From X Factor... To X Ploiter... to X odus!

Thanks for your time and most of all thanks to those who have my back. I'd lastly like to thank NZ on Air who are also caught up in the middle of this circus. This month we are suppose to be celebrating 25 years of NZOA so let's do it right and make sure we have a healthy, unique industry in another 25 years. 

I'd say this letter will never get printed by the Herald or released by MediaWorks so you know what to do people, SHARE SHARE & SHARE.... Mauri ora!

Free the music, free the art.
*tiki*"

(When I checked this post, it had been shared on Facebook 6,607 times and had over 17,000 likes)

Saturday, May 02, 2015

Ring The Alarm playlist, May 2



Angie Stone - Wish I didn't miss you
Curtis Mayfield - Right on for the darkness
Risco connection - Good times
New age steppers -My love
General Echo - Drunken master
Sly n Mo - Sensisims
David Walters - Mesy bon dye - Bigga Bush version
Wally Badarou - Chief inspector
Bad bad not good - Triangle
Trinidad troubadours - Disco music
East of underground - Poppin popcorn / oy como va
Earth wind and fire - Bad tune
Percy Sledge - Dark end of the street
Ben E King - Supernatural thing
Betty Wright - Slip and do it - Mr Jazzhole edit
Guru - No time to play - Karim version
Bill Withers - You got the stuff
Dalvanius and the Fascinations - Who said that
Etta James - Seven day fool
Bobby Angelle - It's just gotta be that way
Brenda George - What you see is what you get
Baby Jean - If you wanna
Sonny Knight - Sugarman
Tausani  - Teardrop
Blue in green - Groovin high
Rhythm heritage - Theme from SWAT
James Brown - Stone to the bone - 7" version

Friday, May 01, 2015

Weird Together play St James re-opening




St James Theatre finally re-opens this weekend, with a great live event headed by Weird Together (Nick D, Dick Johnson and friends), check out this cool tune from them, driven by steel drums, free DL too.

Weird Together are joined on the bill by P-Money, Peacekeepers feat MC Tali, Race Banyon, High Hoops and more. It's also one of the big events for New Zealand Music Month, more on that here.

The St James  re-opening is great news for Auckland's live scene, but there is still a lot of work to be done on the building before it is fully restored to its former glory. The magnificent foyer space now has a cafe installed, which opened earlier this week

Info: Sat May 2 - St. James Theatre, Auckland - A Weird Night Out
8pm start time, 3am close. $35 Earlybird tickets are available from iticket.co.nz.
Also on sale at Conch Records, Real Groovy. More on the door.