Tuesday, July 07, 2009

Harry Allen, Media Assassin
I was following a chain of posts from Harry Allen on Twitter today, and they make for interesting reading, So I strung them together, below. He talked about a seminar where he posed this idea...

"I make the illustration of someone getting a mortgage, paying it back faithfully, then, after the last payment, having a mortgage-burning party, only to find that the bank has taken back the house. Foul, correct? They listened. I then asked them, in like manner, if artists pay back advances through royalties, why do labels then take ownership of master recordings?"
Response? Oh boy.

You know who Harry Allen is, right? He was Public Enemy's media assassin. Need more? His bio is here.

from @harryallen (via Twitter)

The music business is, essentially, an interface between children and sharks.

Artists, for the most part, are distracted and pre-occupied with bright, shiny things we call "art." Put a contract in front of an artist...

...on one side, then a pretty picture, or lovely sound, on the other. 98 times out of 100, the artist will pick up the art. The music biz...

...is designed to exploit that tendency.

Two Lyor Cohen memories: 1) Him, backstage at Nassau Coliseum, egging Eric Sermon on to spit some new rhymes the Green-Eyed Bandit had...

...recently composed, and of which the rapper was especially proud. Even at that moment, I knew I was watching skillful patronizing.

Second Lyor Cohen memory: NYU, about 5 years ago. Roundtable with Russell, Kevin Liles, Lyor. I'm moderating. 500+ people in audience.

I make the illustration of someone getting a mortgage, paying it back faithfully, then, after the last payment, having a mortgage-burning...

...party, only to find that the bank has taken back the house. Foul, correct? They listened. I then asked them, in like manner, if...

...artists pay back advances through royalties, why do labels then take ownership of master recordings? Lyor made this loud, annoyed...

..teeth-sucking, displeased sigh sound, and started talking about people having other things to do, as the audience when, "Ooooooo...."

When I went there, one of the Def Jam execs sent me a note asking me to not talk about this. I don't have audio of the discussion because...

...the Grammy's, or whichever organization was sponsoring the event got pissed and wouldn't give me a tape, though they'd agreed to before.

I've been waiting for this day for years. I've been talking about the electronic dist. of music since the early 90s. See http://bit.ly/kQxSL

I did a panel in July 1994, at the last New Music Seminar, the one where I heard Marc Josephson tell an n-word joke. The title was...

"Multimedia: Will Digital Technology Make Record Companies Obsolete?" Six people from the industry, six renegades, incl. Chuck, the IUMA...

...guys, Adam Curry, who'd registered mtv.com when the company didn't know enough to care, and Free Software guru Richard Stallman.


To the thesis question, the industry guys said no, tech wouldn't obsolete the industry. The others said yes, and Stallman said that, not...

...only would it obsolete it, but the only thing that would keep it around would be in the gov't did so. Like Bear Sterns, in other word.

Not Bear Sterns: Like AIG, in other words.

[Lyor’s response?] He couldn't answer. The relationship is insane & unjust. Plus, framing it in mortgage terms made it ultra-clear to the crowd."
Source: twitter.com/harryallen

We say Ze!
New York 1980s label gets the reissue treatment from Strut/K7 crew.

"Ze 30: Ze Records 1979-2009 offers a snapshot of many of the label's most vital recordings including tracks from James Chance & The Contortions, Suicide, Kid Creole, Was (Not Was), Material, & many more. French Duo Casino Music's cover of a Sonny & Cher song (above) offers a slick yet snarling dance track that is as menacing as it is infectious. "

Casino Music- "The Beat Goes On" (zshare) (mediafire)
From: Ze 30: Ze Records 1979-2009

Monday, July 06, 2009

The great Limewire pizza robbery

Woman: “Who the FUCK are you? And why are you eating our pizza?”
Kosuke and Paul look confused.

Kosuke: "Are you joking? Is this a joke?"

Woman: "No this is definitely NOT a joke. I want to know who you are and why you’re eating our pizza."

Kosuke: "Well our friend came in and told us there was free pizza at the bar. We are. So. Sorry. It was a misunderstanding."

Woman: (with unbridled entitlement) "This is a company party our CEO is here and you STOLE our pizza. Are you from out of town? Because let me tell you, NOTHING is free in New York City. Nothing is free… well maybe except for the condoms in Times Square."

Paul and Kosuke continue apologizing. They offer to pay for the two slices.

Woman: (didactically snobbish) "We don’t want your money. No. Enjoy the pizza, but you can’t steal other people’s things. You can’t take what’s not yours."

Again the duo continues their apologies. Kosuke tries to turn the situation around and befriend them.Kosuke: "What company do you guys work for?"

Woman: "We work for Limewire."

Kosuke: Oh ok. Well I work at a record label so fuck you. You’ve stolen from us enough. (Bites pizza. Begins to walk away.)

Link. Now go read what happens next.

Friday, July 03, 2009

Lee Fields
Mister Lee Fields has recently released a fine new album on the Truth and Soul label, called My World. Brooklyn Vegan has a bunch of cool videos featuring the making of the album, and Lee rehearsing with his band, featuring members of Budos Band, Dapkings and Antibalas. Check it. Oh, and there's a couple of tunes to download for free there too.
James Brown, Michael Jackson and Prince onstage. Seriously.
Live footage from a James Brown show from 86. Totally funky. Watch MJ bust out a bunch of JB moves. Watch Prince get it on, then exit the stage and pull down part of the stage set by accident.

I know there's a ton of MJ footage floating round, but this is awesome. (Via The Fader)

Thursday, July 02, 2009

Death of Vibe magazine
If you've ever read my profile blurb, you'll see one of my passions is magazines. Sure, I have a record collection (don't you?), but I also have a magazine collection. So, stories like this one fascinate the heck outta me.

Saw this via Twitter from author Jeff Chang (@zentronix for a twitterheads)...
The Death of Vibe And The Future Of Magazines: A Roundtable with Alan Light and Raymond Roker Link.

Raymond Leon Roker : The ways us smaller print brands have a chance is to become boutique agencies. Filter, Cornerstone/Fader, BPM, et al, everybody is in the agency game. The magazines become the branded company pitch. A measure of credibility and clout.

But as print continues to melt away, in the eyes of clients and under the weight of constantly increasing production costs, some of these brands may drop their mags too.

The assumption is that magazine brands, if they walk away from print, can’t survive. That hasn’t been proven one way or another yet. But IMO, the only way they will is by becoming media marketing companies instead. Ones where content and marketing blur (hello ASME). But the standalone magazine model died years ago."



And Media Assassin Harry Allen weighs in on Vibe...
My Final Visit as VIBE Flatlines.: Stick a knife in it, they’re done:..
link (he's on Twitter too - @harryallen)
One Stop
Via Cratekings, wicked video, especially the beat battle at the end.
"Here we have the official video highlight reel for Sha Money XL’s One Stop Shop Producers Conference featuring panel highlights and conversations with producers such as Just Blaze, RZA, Hi-Tek, Pete Rock, Q-Tip, Steve Lobel, Dru Ha, and Drumma Boy, and more. In addition, the video features beat battle footage and the crowning of the 2009 champion, Billboard."

Wednesday, July 01, 2009

Quincy Jones on MJ
A lot of people/idiots are saying a lot of garbage about Michael Jackson, mostly about his personal life and so on and passing judgment on him. Eventually the chatter from the cheap seats will die down, and we'll be left with the music.

One person who knows all about MJ's music is legendary producer Quincy Jones. He's weighed in with some thoughts on working with MJ, over at the LA Times. This is well worth a read.


"For some reason I have had the honor of meeting young performers when they reach the age of 12. There was Aretha Franklin, Stevie Wonder, Tevin Campbell and, of course, Michael Jackson....

"We finished the album [Thiriller] at 9 a.m. the morning we needed to deliver the reference copy. We had three studios going all night long. Michael in one putting final touches on "Billie Jean," Bruce in another, and Eddie Van Halen, who I brought in, in yet another recording his parts for "Beat It."

We all gathered in Studio A to listen to the test pressing with this enormous anticipation. This was it, the eagerly anticipated follow-up to "Off the Wall." And it sounded . . . terrible."
Link.


More reading on Jackson from The Village Voice's Greg Tate - "Michael Jackson: The Man in Our Mirror - Black America's eulogies for the King of Pop also let us resurrect his best self".