Wednesday, March 25, 2009

Mulatu soon come!
I've been going on about this new collaboration between Ethiopian jazz legend Mulatu Astatke and the Heliocentrics. It's infectiously good, funky, jazzy bizznizz. Its set to drop April 14, but here's a sneak preview, thanks to the kind folks at Strut. Read more on Mulatu at Wikipedia.

Mulatu Astatke & The Heliocentrics- "Masenqo" [download]
From: Inspiration Information (April 14th, Strut)

Strut are also reissuing the wicked comp they did back in 2001, called Nigeria 70. Grab a tune off it here... Peter King- "Shango" [download]
From: Nigeria 70: The Definitive Story of 1970's Funky Lagos (March 31st, Strut)

Tuesday, March 24, 2009

JRocc's easy six step guide to DJing
LA DJ and Stonesthow alumni JRocc was sharing his wisdom on Twitter yesterday, so I collected his thoughts on DJing... with a few cheeky comments from DJ Babu thrown in for good measure.

"Why is dj'ing the thing everyone wants to do when they're main hustle isn't working. Buying Serato does not make u a DJ.

If I meet one more celebrity DJ who doesn't have their own headphones or Serato vinyl......shazbot

U want names. Well,Macy Grey asked "Can I borrow your headphones?"...um No. To top of off she just downloaded Serato before the gig...

I'm sure she's a better DJ now.

Celebrities. I will teach you how to DJ. Holler at your boy. $400 an hour. Chuuuuch.

1st step of becoming a DJ. Only do it if you reaaaallllly want to be a DJ. You don't get cool points for becoming one.

Step 2. Practice before you start dj'ing at the clubs.

Step 3. Practice some more. You still suck.

Step 4. Do not play files that are 192 and lower.

Step 5. Bring some vinyl with you to the gig for the switch over. (ooops! You don't own any records)

Step 6. Remove your computer as SOON as your done with your set. The next DJ is not trying to wait for you to get your props.

A DJ that is not a DJ is not a DJ. You are a human iTunes.


djbabuforeal: step 7 make sure u steal the nice technics 45 adapters if they're not already taken

djbabuforeal: step 8 make sure to say the strippers name before And after each dance and encourage patrons to tip

djbabuforeal@jrocc sumthin I learned from @Rhettmatic: step 9 bring ur computer to the gig

jrocc: Babu added some funny steps but on the real....step 10. Please don't bite another DJ's mix.

Once had a famous dude tell me he liked my "Sex Machine Today" mix and he does a few of those mixes. --what part of the game is that?

Also. DJ's worldwide. if you come to the west coast to spin.....don't do the dr.dre/snoop dogg set....please.


djbabuforeal: step 11 when people make requests say "of course I'll play some t-pain!" then don't

djbabuforeal: step 12 see step 117 minutes ago from Tweetie in reply to jrocc

djbabuforeal: step 13 if u scratch with ur mouth please wipe of the mixer

djbabuforeal: step 14 when u play Simon says make sure there are 2 hot chicks standing next to u to rub on their titties2 minutes ago from Tweetie in reply to jrocc"


As you can see, this went on for a while - damn funny, tho.

If you're on Twitter, add em... @jrocc and @djbabuforeal.
U2 reinvent themselves again, says reviewer... again...
NBR's David Cohen has been looking at the previous reviews of U2s recorded output. He found some intriguing similarities.

According to the Herald’s review of the group’s latest album, No Line On The Horizon, U2 has finally broken with its “safe and predictable” sound. Best not to get “too comfy” with the new album, reviewer Scott Kara warned last Thursday, “because delve deeper and it reveals itself as the most radical U2 album in years - perhaps ever.”

Delve a little deeper into the Herald archives, though, and something else is revealed: a startlingly similar critical take on the group’s last big-ticket album, How to Dismantle An Atomic Bomb, which was also hailed as something that “goes from being just another think-big U2 album to something great.”

But wait. So, too, it appears — at least in the Herald’s view — did the band’s album before that, All That You Can Leave Behind (“the first proper U2 album in years”), which also apparently saw the group having “figured out how to write songs again, and how to grow old gracefully.”

...Rewinding again through the paper’s review archives, to 1991, and another, eerily similar critical verdict was passed on the band’s album of the time, Achtung Baby, with the review serving notice that “while U2 were in the studio working on this radically altered album the number one rule was no songs that sound like U2 songs, please. Well, they succeeded.”

But U2 also succeeded in shucking off the U2 sound with their earlier album, The Joshua Tree, as well, according to another Herald review published at the time of its release, in 1987, which declared Joshua Tree to be, first and foremost, an album that “doesn’t sound like U2."

Read it in full here
Vinyl record collectors fair on this Saturday March 28
The Auckland Vinyl Record Collectors Fair takes place Saturday March 28 at Polish House, Morningside. Stalls include New Zealand vinyl and New Vinyl Imports and foreign, 60s, rare, dance, reggae etc vinyl. Murray Cammick will be there too, selling more funk, soul vinyl, vintage music magazines etc. The event also has stalls selling turntables & accessories.

The venue is the Polish House Hall, 1 McDonald St, on the corner of Ethel Road, off Sandringham Road, opposite Eden Park. The fair runs from 10am to 3pm. There is a $3 entry fee. You need more records, right?

Monday, March 23, 2009

S92A - gone by lunchtime.
This controversial clause in the new Copyright Act will be scrapped and rewritten.

"... The legislation was put in place to combat unlawful file-sharing which facilitates copyright infringement on a large scale, but "...allowing section 92A to come into force in its current format would not be appropriate given the level of uncertainty around its operation," says Simon Power. The legislation needs to be re-examined and reworked to address concerns held by stakeholders and the government, he says. " Link.

"The Telecommunications Carriers Forum (TCF), representing all major ISPs, has being working on a draft code of practice, and discussing it with copyright holders, lead by Rianz (the Recording Industry Association of New Zealand)." Link.

They were given an extension by John Key last month, til March 27, but have failed to come up with a code of conduct that is acceptable to all parties involved, which suggests that S92a was hopelessly flawed and too vaguely worded to ever be effective in any meaningful form.