Saturday, July 26, 2014

Ring The Alarm playlist, July 26

MAW - Zoe
Ikebe shakedown - Tujunga
Mulatu and Heliocentrics - Dewel
Jim Brown - Cure for the fever
Devon Russell - Thanks and praise
Adrian Sherwood and Lee Scratch Perry - Kingston tower
African head charge - Throw it away
General Levy - The wig
Bohannon - South African man
Sheila B Devotion - Spacer - Greg Wilson edit
Gil Scott Heron - B Movie
Marc Rapson - The kalimba
LCD soundsystem - 45/33 - Padded cell remix
Shreikback - All lined up - disco mix
Bernard Wright - Bread sandwiches
The Capprells with the Sul Bros - Close your eyes
Gladys Knight and the Pips - Who is she and what is she to you\
Bahama soul stew - Funky Nassau
Machito - Knock on wood
Richie and his PS54 schoolyard - Listen to Louie
The Notations - Take it slow
Gwen McCrae -Funky sensation
Driza bone - Real love
Bomb the bass - Braindead
Jackson 5 - Get it together - 4Hero remix
James Brown  -Funky drummer

Friday, July 25, 2014

James Brown biopic - 1st trailer out

This trailer makes the film look like it might be halfway good. Love the moment when they say to Mr Brown "They want the Rolling Stones to close the show," and he says they haven't had a hit in America,  then Mr Brown goes out and plays a blinding show, then walks of and says "Welcome to America".

I've seen the footage of the actual TV show this event is taken from, the TAMI Show, and Mick Jagger and co come on after Mr Brown, and poor lil Jagger shimmys, shakes and flails around, trying to outdance James Brown - doesn't happen. It's hilarious. Watch it below

Do Not Sell at Any Price: book on 78 collectors

Coveting Vintage Discs in a Digital Universe
New York Times book reviews on ‘Do Not Sell at Any Price’ and ‘Dust & Grooves’

Snip: "Something unexpected happened to Amanda Petrusich when she set out to explore the “oddball fraternity” of fanatical collectors of 78 r.p.m. records, the increasingly hard-to-find shellac discs that circulated before World War II. At first she was almost repulsed by the avidity of their passion. But when she heard the music of Skip James, Charley Patton, Blind Uncle Gaspard and Geeshie Wiley played in its original format, she fell under its spell, just as the collectors had.

“Eventually, I started to want what they wanted,” she writes. “For me, the modern marketing cycle and the endless gifts of the Web had begun to feel toxic,” its surfeit of always-available music leading to a response that surprised her: “I missed pining for things. I missed the ecstasy of acquisition.” ...

.... “Collectors of 78s, maybe more than any other curators of music or music memorabilia,” she writes, “are doing essential preservationist work, chasing after tiny bits of art that would otherwise be lost.”

Ms. Petrusich’s collectors of 78s view themselves as a breed apart from — and superior to — the people who focus on LPs and 45s, which are vastly more plentiful. For one of her collectors, she reports, “the distinction is acute, comparable to collecting pebbles versus collecting diamonds.” ...

... "The difference between the Petrusich and Paz approaches can be gauged by the way they portray the one collector who appears in both their books, Joe Bussard of Frederick, Md., whose collection of about 25,000 discs is the product of six decades of what Ms. Petrusich calls “boots-on-the ground grunt work, pointedly removed from the estate-sale lurking most contemporary collectors indulge in.” She provides excerpts from a daylong conversation with him and tells us that “watching Joe Bussard listen to records is a spiritually rousing experience” in which he “sticks his tongue out, squeezes his eyes shut and bounces in his seat, waving his arms around like a weather vane.”

Mr. Paz’s photographs, in contrast, let the reader actually see the delight Mr. Bussard feels in listening to his collection, and instead of interpreting what Mr. Bussard says, uses a question-and-answer exchange that allows his clipped and cranky voice to be heard clearly. Here is Mr. Bussard on why he hates rock ’n’ roll: “Don’t like the sound of it, the meaning of it ... doesn’t promote anything meaningful. Idiotic noise, in my opinion.”

Nana Love - Disco Documentary Full Of Funk

Out August 11 on BBE, who say "Nana Love - A “Disco Documentary Full Of Funk” proves that it stands the test of time by sounding as fresh and original as any other sought-after Disco / Soul Funk LP from the West coast of Africa in the late 70s.

BBE went on another crate-digging journey and found the original producer Reindorf Nana Oppong and the original master tapes were dusted off, transferred to digital. In the process of this, even unreleased material was discovered on the tapes, which makes this a rather special package.

“Nana Love - Disco Documentary Full Of Funk” is one special journey through Afro Disco & Boogie in the late 70s, and we at BBE can guarantee that you won’t be disappointed."

Thursday, July 24, 2014

Wild Style Breakbeats 7x7" Vinyl + Book from Kenny Dope

Described as "Kenny Dope revisits and edits the Wild Style soundtrack" - how good is that?

This includes 28 page book featuring new interviews and vintage photos from Wild Style archives. The Book doubles as a 7" vinyl holder ("Kay-Dee Casebook"). It features (7) 7" singles (13 songs total) featuring Kenny Dope edit versions from the Wild Style soundtrack.

Ships Early-Mid August. Link: Kenny Dope -Wildstyle vinyl/book at Turntable lab

ADDED: So what were the Wildstyle breakbeats? Here's the story [source]...

Kenny Dope: ”When it comes to “Wild Style”, it’s a movie that I have loved since I was a kid, because of what it stood for and how it showed real hip-hop culture to the world. As I became a producer in the late 1980s and into the 90s, when I listened close to the breakbeats that the DJs used in the film, I could tell that they were done in a studio....but I never knew the actual story behind them. It was always a mysterious thing, and no one seemed to know much about it.”

Wildstyle director Charlie Ahearn: “We didn't want to be dependent on the hit of the month but, more importantly, I was afraid of (filming) MCs rhyming off a pile of records that I wouldn't be able to clear”

And so, with a vision about the movie’s backbone: instrumentals that would replace breakbeats that DJs in New York were using at the time, Ahearn enlisted Fab 5 Freddy to oversee the production of material specifically for the film.

Freddy comments, “It was very smart on Charlie’s part...he said we should create our own, so I went and did that.” Using the “Orchestra” from the public access show “TV Party” (where Freddy was the camera man) original recordings were made for the film. That orchestra consisted of Leonardo “Lenny Ferrari” Ferraro on drums and Blondie’s Chris Stein.

Kenny Dope: “From an audio perspective, I got the 2 track mixdown tapes of the final breakbeats from Charlie. I went in and re-EQed everything and did re-edits, to make all of the originals-which were only about a minute each- longer. I didn’t want to put in anything that wasn’t there originally, so I didn’t add kicks or snares. I just wanted to enhance what they already had.”

The story of the breakbeats, the backbone of “Wild Style” has never been told so thoroughly and colorfully (in both words and glorious pictures) as you’ll find in this collection spearheaded by Kenny Dope. This is more than a collection of audio, this is documentation of an integral part of hip-hop history!

“Wild Style Breakbeats” not only features a 7” single including each of the breaks from the film, it also tells the story of those breakbeats in words and pictures. The 14 page hardcover book is written by Brian Coleman with reminiscences from Charlie Ahearn, DJ GrandWizzard Theodore, Fab 5 Freddie, Leonardo “Lenny Ferrari” Ferraro, Chris Stein and many more.

Mind The Curb (Remixed & Reworked)

"Kerbside Collection's debut jazz funk and rare groove LP "Mind the Curb" (released May 2013 on Légère Recordings) gets the remix, rework and re-use treatment with a variety of interpretations from fellow Aussie and international friends with everything from dubby pacific nu disco, analogue breaks and beats to balearic Japanese nu jazz."

Remixers include Ennio Styles, Billy Hoyle, Two Dee, Blunted Stylus, Chikashi Nishiwaki, and Kerbside Collection's drummer Paprika. Out now on digital, ltd 12" vinyl. 

Wednesday, July 23, 2014

Jet Jaguar - Hoops

New EP, name your price. Very tasty electronica from the capital.

It's the culture, stupid!

Beyonce is shocked at Bob's suggestion that most people
don't know her new music. It's on the interwebz!

Bob Lefsetz on culture, some fascinating observations... excerpt from Modern Life, read it in full here...

"... So what we're experiencing is a winnowing out process. Everybody can play, but only a few can win. If you think the Huffington Post is for tomorrow, you only live in today. The "New York Times" has nothing to worry about, because they're the only company that features real, in depth reporting, and he who controls information wins in the end.

But the "New York Times" is laboring under the conceit that it's bigger than its writers, which is completely topsy-turvy. Today we believe in the individual, whether it be Elon Musk, Tim Cook, Ezra Klein or Rupert Murdoch. You hitch your star to the star. Otherwise you descend. 

Because people don't trust institutions, they don't trust corporations, they only trust individuals. So if you're building an enterprise, focus on the talent. We can all identify with the talent. We believe Nate Silver has authority when it comes to data, the new people writing in the "New York Times" Upshot...WHO ARE THEY?

So you've got two sides to the equation, the seller and the buyer, and what's even worse, so many are both. Very few are passive today. People may be surfing the headlines, but they're also embellishing their personal brand, they want you to stop by at their Facebook page, check out their Twitter feed, when we ran out of time eons ago. 

So we gravitate to that which is in our face all day every day. Which is why if you want to be a famous musician, you've got to dominate the news cycle. This is what the Kardashians do so well and the bands do so poorly.

Or else you could make a song so good that it dominates the discussion. But we can't even agree on a song of the summer this summer. Is that because one's not good enough or because there's no consensus, because we're all scurrying off in our own direction.

So there are some who sit home self-satisfied, saying they know what's going on, when that's damn near impossible.

And then there are those who not only yearn for the days of yore, they keep bitching about what is lost in the new era.

And then there are those who do their best to keep up. And they're the majority of the population. They're trying to cobble together a life. Trying to decide what is necessary. Whether to look for love online or in real life. Whether to turn off their devices to enrich the experience or be fearful of missing out.

It's the culture stupid!

You might think it's about money and quality and marketing, but the truth is the culture has changed, and those who do not adopt their companies and their products to the new culture are bound to be forgotten.

Today you can truly be famous for fifteen minutes and forgotten shortly thereafter.

The key is to sustain.

And you do this by being in front of everybody with a quality product on a regular basis.

And that's damn hard to do. That's why Luke Bryan puts out two albums a year, why his label keeps pushing singles to the top of the chart, and most Americans still have no idea who he is!

Beyonce may be famous, but few know her new music.

And "Orange Is the New Black" may get great reviews, but who's got 25 hours to dedicate to the show when there's so much else to experience? Or, if you do, what else are you sacrificing?

So stop bitching and start figuring out how to play the new game.

Everybody else is."

Matariki on the Waterfront

"Matariki on the Waterfront returns for 2014 with a full weekend of activity for Matariki, including art, music, the Mighty Matariki Markets, food and entertainment. Featuring performance by The Modern Maori Quartet, Whenua Patuwai, emerging artists from Pao Pao Pao 2014 and Dudley Benson, DJ sets from King Kapisi and Che Fu, street food, artisan producers and more.

Friday July 25th 5:00pm: Art and Sound at Silo Park

Artists will take over the outdoor Silo Park space with light-based artworks, projection mapping and moving images. Works from Tracey Tawhiao, Jon Baxter, Angus Muir Design, Jade du Preez, Onesian and more - with a street food market and the Silo Park bar.
DJ sets all night from King Kapisi and Che Fu.

Saturday July 26th and Sunday July 27th 12:00pm-5:00pm: The Mighty Matariki Market

More than 50 stalls come together in Silo Park to present the largest market to hit the space. Spanning food, beverage, art, craft, fashion, accessories, experiences and gifts these vendors represent the very best makers and collectors in Auckland.

Sunday July 27th 12:00-5:00pm: Silo Sessions for Matariki

Silo Park will be filled with the sounds of Aotearoa's finest Māori musicians, including Modern Māori Quartet, Whenua Patuwai, Dudley Benson, emerging artists from Pao Pao Pao 2014 Showcase and DJs Dylan C and Lo Key (Māori Hifi). Soak up the tunes all afternoon with food and drinks from the Mighty Matariki Market."

Tuesday, July 22, 2014

Vinyl revival: Philippines edition

From BusinessWorld, Manila: From vinyl survival to vinyl revival.

" ...Why should a young person brought up on Spotify and Pandora and accustomed to wearing headphones everywhere want to go back to analog? It’s certainly not because of convenience - as we have already seen, records don’t travel well, and they are a pain to store and keep clean. 

"They’re also expensive -- in the Philippines LPs cost thousands of pesos, as against P500 or so for a CD or about a dollar for a legal music download. Whatever factors are behind the revival, they aren’t likely to be economically rational.

So let’s speculate about what the irrational reasons might be. Nostalgia is one. The nostalgia business happens to be huge, and vinyl might just be riding that wave. A closely-related reason might be a search for “authenticity,” a preference for an age when musicians knew their craft and needed no digital aids. Yet another might be a desire for things that you can have and hold, a reaction to the intangibility of many digital products... "

Kasbah Rockers with Bill Laswell

Trip hop, dub, electronica from Morocco. Listen to more at Barraka El Farnatshi Prod Soundcloud. Tune below is a free download too....

Monday, July 21, 2014

Ogiyy: Nostalgia

Cascade say: Nostalgia is Ogiyy's new album for [northern] summer! Ogiyy is a beatmaker / DJ born in 1987. From Kyoto, Japan, Ogiyy started DJing at the age of 16. He started making music from the age of 18. He moved his base to Tokyo when he was 20. Rooted in the hiphop, beats, R&B and soul. He has been involved in Sonar Tokyo in 2013.

“I'm producing tracks based on hip-hop. And I consider I always want to update it. This album is inspired by soul, funk, r&b. And I made it up by my new interpretation. Have the funk and keep the beat alive, a tempo of real life !"

Out August 4 on cassette/digital thru Cascade Records

Big Mean Sound Machine new album

Check the tune below too, free download...

Naomi Shelton & the Gospel Queens - new video

Directed by Derick Crucius. Naomi Shelton & the Gospel Queens new album "Cold World" available July 29th on Daptone Records.

Saturday, July 19, 2014

Ring The Alarm playlist, July 19

Tom Browne - Funkin for Jamaica
Bohannon - Think of me
Cornelius brothers and sister Rose -Too late to turn back now
Bamboos -You aint no good
Soulful illusion - Soulful illusion
Betty Wright - Babysitter
Lee Fields - You just can't win
Skatalites - Malcolm X
Andy and Joey  -You're wondering now
Jackie Mittoo -Wall street
Karl Bryan and the Afrokats - Money generator
Ernest Ranglin - 54-46 was my number
Joe Bataan - Subway Joe
Sergio Mendes - Mas que nada - Shinichi Osawa re-edit
Cal Tjader - Soul sauce
Willie Bobo - Fried neckbones - Dan the Automator remix
New swing sextet - Monkey see, monkey do
Billy Preston and Syreeta - Go for it inst
Dennis Mobley and fresh taste - Superstition
Hypnotic brass ensemble - Spottie
Bobby Womack - You're welcome stop on by - Beaten space probe edit
Hairy Diamond - Givin up
Dutch rhythm steel and show band - Funky stuff
Talking heads - Born under punches
Pete Shelley - Homosapien - elongated dancepartydubmix
Che Fu - Random - Submariner remix
Nextmen vs Joe Dukie - Hold me now
Urban disturbance - Figure this kids
IQU - Witchcraft